History of The Italian Language
The Tuscan dialect (or Florentine language) spoken in Tuscany was promoted as the standard due to the socio-economic power associated with Florence as well as its literary heritage (Dante's Divine Comedy is often credited with the emergence of the Tuscan dialect as a standard). Pietro Bembo, a Venetian influenced by Petrarch, also promoted Tuscan as the standard literary language (volgare illustre). The spread of the printing press and literary movements (such as petrarchism and bembism) also furthered Italian standardization.
When Italy was unified in 1861, Italian existed mainly as a literary language. Many Romance regional languages were spoken throughout the Italian Peninsula (Italian dialects), each with local variants. Following Italian unification Massimo Taparelli, marquis d'Azeglio, one of Cavour's ministers, is said to have stated that having created Italy, all that remained was to create Italians (a national identity).
The establishment of a national education system led to a decrease in variation in the languages spoken across the country. Standardization was further expanded in the 1950s and 1960s thanks to economic growth and the rise of mass media and television (the state broadcaster RAI helped set an Italian standard).
Read more about this topic: Languages Of Italy
Famous quotes containing the words history of, history, italian and/or language:
“American time has stretched around the world. It has become the dominant tempo of modern history, especially of the history of Europe.”
—Harold Rosenberg (1906–1978)
“Three million of such stones would be needed before the work was done. Three million stones of an average weight of 5,000 pounds, every stone cut precisely to fit into its destined place in the great pyramid. From the quarries they pulled the stones across the desert to the banks of the Nile. Never in the history of the world had so great a task been performed. Their faith gave them strength, and their joy gave them song.”
—William Faulkner (1897–1962)
“Semantically, taste is rich and confusing, its etymology as odd and interesting as that of “style.” But while style—deriving from the stylus or pointed rod which Roman scribes used to make marks on wax tablets—suggests activity, taste is more passive.... Etymologically, the word we use derives from the Old French, meaning touch or feel, a sense that is preserved in the current Italian word for a keyboard, tastiera.”
—Stephen Bayley, British historian, art critic. “Taste: The Story of an Idea,” Taste: The Secret Meaning of Things, Random House (1991)
“When a language creates—as it does—a community within the present, it does so only by courtesy of a community between the present and the past.”
—Christopher Ricks (b. 1933)