Landscape Artists

Landscape Artists

Landscape art is the depiction of natural scenery such as mountains, valleys, trees, rivers, and forests, and especially art where the main subject is a wide view, with its elements arranged into a coherent composition. In other works landscape backgrounds for figures can still form an important part of the work. Sky is almost always included in the view, and weather is often an element of the composition. Detailed landscapes as a distinct subject are not found in all artistic traditions, and develop when there is already a sophisticated tradition of representing other subjects. The two main traditions spring from Western painting and Chinese art, going back well over a thousand years in both cases. Landscape photography has been very important since the 19th century, and is covered by its own article.

The word landscape is from the Dutch, landschap originally meaning a patch of cultivated ground, and then an image. The word entered the English language at the start of the 17th century, purely as a term for works of art; it was not used to describe real vistas before 1725. If the primary purpose of a picture is to depict an actual, specific place, especially including buildings prominently, it is called a topographical view. Such views, extremely common as prints, are often seen as inferior to fine art landscapes, although the distinction is not always meaningful.

Read more about Landscape Artists:  History, Techniques, Related -scapes

Famous quotes containing the words landscape and/or artists:

    Every landscape which is dreary enough has a certain beauty to my eyes, and in this instance its permanent qualities were enhanced by the weather. Everything told of the sea, even when we did not see its waste or hear its roar.
    Henry David Thoreau (1817–1862)

    The past is interesting not only for the beauty which the artists for whom it was the present were able to extract from it, but also as past, for its historical value. The same goes for the present. The pleasure which we derive from the representation of the present is due not only to the beauty in which it may be clothed, but also from its essential quality of being present.
    Charles Baudelaire (1821–1867)