Plot
Raja Kumar Bahadur alias Gyan Shankar Rai (Raaj Kumar) has been a total abstainer all his life, never touching a drop of alcohol, and keeping away from women and all known vices all his life. Then one day he sees a young woman named Saudamani (Hema Malini), and instantly falls in love with her. He finds out about her background, and virtually buys her, and brings her to his palatial home. This is when he takes to drinking, and wooing her, and renaming her Madhuri, but refrains from marrying her.
Years later, he sees another beautiful woman, about half his age, named Sumita (Raakhee), meets with her parents, pays off their debts, and marries her in the bargain. He brings Sumita home, but makes it clear that Madhuri's word is law here. Then Kumar finds out that Sumita had a childhood sweetheart in Shekhar (Vinod Mehra), who has now returned from abroad. Kumar meets with Shekhar and finds out that both still have feelings for each other. An insecure and jealous Kumar now schemes a plot against them on the historical grounds of Fatehpur Sikri It is here Kumar's plot unfolds to entrap the young lovers, thus giving the title "Lal Patthar".
Read more about this topic: Lal Patthar
Famous quotes containing the word plot:
“After I discovered the real life of mothers bore little resemblance to the plot outlined in most of the books and articles Id read, I started relying on the expert advice of other mothersespecially those with sons a few years older than mine. This great body of knowledge is essentially an oral history, because anyone engaged in motherhood on a daily basis has no time to write an advice book about it.”
—Mary Kay Blakely (20th century)
“The plot! The plot! What kind of plot could a poet possibly provide that is not surpassed by the thinking, feeling reader? Form alone is divine.”
—Franz Grillparzer (17911872)
“The plot was most interesting. It belonged to no particular age, people, or country, and was perhaps the more delightful on that account, as nobodys previous information could afford the remotest glimmering of what would ever come of it.”
—Charles Dickens (18121870)