In Popular Culture
Several films based in Chicago feature scenes on Lake Shore Drive, including Cheaper by the Dozen, Ferris Bueller's Day Off, The Blues Brothers, The Break-Up, Risky Business, Love Jones, My Best Friend's Wedding, Somewhere in Time and National Lampoon's Vacation. In When Harry Met Sally, the title characters are seen taking Lake Shore Drive in the opposite compass direction to that which their origin point and destination would require.
In television, Lake Shore Drive is seen in AT&T's/"The New Cingular's" "Weight" ad with the ad's protagonist driving south along Lake Shore Drive towards the John Hancock Building. The opening credits of the late 1980s and early 1990s sitcom Married... with Children features a flyover of Lake Shore Drive. Also, the medical drama ER has shot scenes at or near Lake Shore Drive over the show's 15 season run.
The 1971 song "Lake Shore Drive" by Aliotta-Haynes-Jeremiah is a reference to the road and an allusion to its initials, LSD. Styx mentions the road in their 1979 song "Borrowed Time" as well as "Back to Chicago" from 1990. The road is also mentioned in the 2005 Kanye West songs "Drive Slow" and "Grammy Family", as well as in his verse in the Boost Mobile promotional single "Whole City Behind Us." The song "Lake Shore Drive" by Art Porter, Jr. is also about the famous road. It is also mentioned in Fall Out Boy's song, "Lake Effect Kid": "joke us, joke us 'till Lake Shore Drive comes back into focus."
Lake Shore Drive is also featured in the 1999 Microsoft game Midtown Madness.
Read more about this topic: Lake Shore Drive
Famous quotes containing the words popular culture, popular and/or culture:
“Popular culture entered my life as Shirley Temple, who was exactly my age and wrote a letter in the newspapers telling how her mother fixed spinach for her, with lots of butter.... I was impressed by Shirley Temple as a little girl my age who had power: she could write a piece for the newspapers and have it printed in her own handwriting.”
—Adrienne Rich (b. 1929)
“It is said the city was spared a golden-oak period because its residents, lacking money to buy the popular atrocities of the nineties, necessarily clung to their rosewood and mahogany.”
—Administration in the State of Sout, U.S. public relief program (1935-1943)
“To assault the total culture totally is to be free to use all the fruits of mankind’s wisdom and experience without the rotten structure in which these glories are encased and encrusted.”
—Judith Malina (b. 1926)