Works
De Camp was a materialist who wrote works examining society, history, technology and myth. He published numerous short stories, novels, non-fiction works and poems during his long career.
De Camp had the mind of an educator, and a common theme in many of his works is a corrective impulse regarding similar previous works by other authors. A highly rational and logical thinker, he was frequently disturbed by what he regarded as logical lapses and absurdities in others' writings. Thus, his response to Mark Twain's A Connecticut Yankee in King Arthur's Court was to write a similar time travel novel (Lest Darkness Fall) in which the method of time travel was rationalized and the hero's technical expertise both set at a believable level and constrained by the technological limitations of the age.
In like fashion, he reimagined space opera and planetary romance in his "Viagens Interplanetarias" series, and the prehistoric precursor civilizations characteristic of much heroic fantasy in his "Pusadian series". When he was not debunking literary conventions he was often explaining them, as with the early "Harold Shea" stories co-written with Fletcher Pratt, in which the magical premises behind a number of bodies of myths and legends were accepted as a given but examined and elucidated in terms of their own systems of inherent logic. De Camp's explanatory tendency also carried over into his non-fictional writings.
Read more about this topic: L. Sprague De Camp
Famous quotes containing the word works:
“Men seem anxious to accomplish an orderly retreat through the centuries, earnestly rebuilding the works behind them, as they are battered down by the encroachments of time; but while they loiter, they and their works both fall prey to the arch enemy.”
—Henry David Thoreau (1817–1862)
“The works of women are symbolical.
We sew, sew, prick our fingers, dull our sight,
Producing what? A pair of slippers, sir,
To put on when you’re weary or a stool
To stumble over and vex you ... “curse that stool!”
Or else at best, a cushion, where you lean
And sleep, and dream of something we are not,
But would be for your sake. Alas, alas!
This hurts most, this ... that, after all, we are paid
The worth of our work, perhaps.”
—Elizabeth Barrett Browning (1806–1861)
“I know no subject more elevating, more amazing, more ready to the poetical enthusiasm, the philosophical reflection, and the moral sentiment than the works of nature. Where can we meet such variety, such beauty, such magnificence?”
—James Thomson (1700–1748)