Works
De Camp was a materialist who wrote works examining society, history, technology and myth. He published numerous short stories, novels, non-fiction works and poems during his long career.
De Camp had the mind of an educator, and a common theme in many of his works is a corrective impulse regarding similar previous works by other authors. A highly rational and logical thinker, he was frequently disturbed by what he regarded as logical lapses and absurdities in others' writings. Thus, his response to Mark Twain's A Connecticut Yankee in King Arthur's Court was to write a similar time travel novel (Lest Darkness Fall) in which the method of time travel was rationalized and the hero's technical expertise both set at a believable level and constrained by the technological limitations of the age.
In like fashion, he reimagined space opera and planetary romance in his "Viagens Interplanetarias" series, and the prehistoric precursor civilizations characteristic of much heroic fantasy in his "Pusadian series". When he was not debunking literary conventions he was often explaining them, as with the early "Harold Shea" stories co-written with Fletcher Pratt, in which the magical premises behind a number of bodies of myths and legends were accepted as a given but examined and elucidated in terms of their own systems of inherent logic. De Camp's explanatory tendency also carried over into his non-fictional writings.
Read more about this topic: L. Sprague De Camp
Famous quotes containing the word works:
“Most works of art, like most wines, ought to be consumed in the district of their fabrication.”
—Rebecca West (1892–1983)
“No one after lighting a lamp puts it under the bushel basket, but on the lampstand, and it gives light to all in the house. In the same way, let your light shine before others, so that they may see your good works and give glory to your Father in heaven.”
—Bible: New Testament, Matthew 5:15,16.
“We all agree now—by “we” I mean intelligent people under sixty—that a work of art is like a rose. A rose is not beautiful because it is like something else. Neither is a work of art. Roses and works of art are beautiful in themselves. Unluckily, the matter does not end there: a rose is the visible result of an infinitude of complicated goings on in the bosom of the earth and in the air above, and similarly a work of art is the product of strange activities in the human mind.”
—Clive Bell (1881–1962)