Background
The story is a biography of Minogue's career and early childhood life, spanning from 1968 to 2002. The story talks about her childhood, her career beginnings, her music career, relationships and her time as a pop star and actress. Around the first chapter (entitled "The Disco Diva Next Door") it talks about her career as a soap actress in the TV series Neighbours and her career beginnings in music. In the second chapter (entitled "Devil, You Know") talks about different matters. Though she is still a singer, it talks about her change of persona from the girl next door to a more mature-sexual image, where she took full control of her image and music. It manages to talk about her relation ship with her then-boyfriend INXS singer Michael Hutchence.
In the other chapters, up until chapter eight, it talks about her independence of her music career, which her changing her imagery as well. Along with Minogue becoming a pop star, she became popular in the European and American markets.
In the chapter (entitled "Bottoms Up!") it talks about her career from 1999 to 2002. By the time she signed to Parlophone in 1999, she was ready to refresh her image along with her then-forthcoming record Light Years. It also talked about her becoming a "Pop Princess". Then, in the chapter 10 (entitled "La La La"), it mostly talked about her success with her album Fever and her worldwide hit single Can't Get You Out of My Head, which topped the charts in over 20 countries.
Read more about this topic: Kylie: La La La
Famous quotes containing the word background:
“... every experience in life enriches one’s background and should teach valuable lessons.”
—Mary Barnett Gilson (1877–?)
“I had many problems in my conduct of the office being contrasted with President Kennedy’s conduct in the office, with my manner of dealing with things and his manner, with my accent and his accent, with my background and his background. He was a great public hero, and anything I did that someone didn’t approve of, they would always feel that President Kennedy wouldn’t have done that.”
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“Silence is the universal refuge, the sequel to all dull discourses and all foolish acts, a balm to our every chagrin, as welcome after satiety as after disappointment; that background which the painter may not daub, be he master or bungler, and which, however awkward a figure we may have made in the foreground, remains ever our inviolable asylum, where no indignity can assail, no personality can disturb us.”
—Henry David Thoreau (1817–1862)