Kurt Vonnegut Bibliography - Novels

Novels

Title Date Notes
Player Piano 01952-08-01August 1952 Published as Utopia 14 in 1954, published again as Player Piano in 1966
Sirens Of Titan !The Sirens of Titan 01959-10-31October 31, 1959 Hugo Award-nominated
Mother Night 01961-01-011961 Adapted as a film in 1996
Cat's Cradle 01963-04-01April 1963
God Bless You, Mr. Rosewater, Or Pearls Before Swine !God Bless You, Mr. Rosewater, or Pearls Before Swine 01965-01-01January 1965 Later adapted with book and lyrics by Howard Ashman and music by Alan Menken; additional lyrics by Dennis Green
Slaughterhouse-Five, Or The Children's Crusade: A Duty-Dance With Death !Slaughterhouse-Five, or The Children's Crusade: A Duty-Dance with Death 01969-03-01March 1969 Nominated for Nebula and Hugo Awards, adapted as a film in 1972
Breakfast Of Champions, Or Goodbye Blue Monday !Breakfast of Champions, or Goodbye Blue Monday 01973-07-01July 1973 Adapted as a film in 1999
Slapstick, Or Lonesome No More! !Slapstick, or Lonesome No More! 01976-10-01October 1976 Adapted as a film in 1984
Jailbird 01979-09-01September 1979
Deadeye Dick 01982-10-01October 1982
Galapagos: A Novel !Galápagos: A Novel 01985-10-01October 1985
Bluebeard, The Autobiography Of Rabo Karabekian (1916–1988 !Bluebeard, the Autobiography of Rabo Karabekian (1916–1988) 01987-10-01October 1987
Hocus Pocus 01990-09-01September 1990
Timequake 01997-09-22September 22, 1997

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Famous quotes containing the word novels:

    Some time ago a publisher told me that there are four kinds of books that seldom, if ever, lose money in the United States—first, murder stories; secondly, novels in which the heroine is forcibly overcome by the hero; thirdly, volumes on spiritualism, occultism and other such claptrap, and fourthly, books on Lincoln.
    —H.L. (Henry Lewis)

    The present era grabs everything that was ever written in order to transform it into films, TV programmes, or cartoons. What is essential in a novel is precisely what can only be expressed in a novel, and so every adaptation contains nothing but the non-essential. If a person is still crazy enough to write novels nowadays and wants to protect them, he has to write them in such a way that they cannot be adapted, in other words, in such a way that they cannot be retold.
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    Good novels are not written by orthodoxy-sniffers, nor by people who are conscience-stricken about their own orthodoxy. Good novels are written by people who are not frightened.
    George Orwell (1903–1950)