Culture
Main articles: Kurdish culture, Kurdish literature, and Kurdish womenKurdish culture is a legacy from the various ancient peoples who shaped modern Kurds and their society, but primarily of three layers of indigenous (Hurrian), ancient Iranian, and Islamic roots. Kurdish culture is close to that of other Iranian peoples. Kurds, for instance, also celebrate Newroz (March 21) as New Year's Day. Kurdish films mainly evoke poverty and the lack of rights of Kurdish people in the region. Yılmaz Güney (Yol ) and Bahman Qubadi (A Time for Drunken Horses, Turtles Can Fly) are among the better-known Kurdish directors.
In contrast to many neighboring Muslim populations, Kurdish women are not secluded and do not wear the face veil. Kurdish men and women participate in mixed-gender dancing during feasts, weddings and other social celebrations. Major Soane, a British colonial officer during World War I, noted that this is unusual among Islamic people and pointed out that in this respect Kurdish culture is more akin to that of eastern Europe than to their West Asian counterparts.
Read more about this topic: Kurdish People
Famous quotes containing the word culture:
“The hard truth is that what may be acceptable in elite culture may not be acceptable in mass culture, that tastes which pose only innocent ethical issues as the property of a minority become corrupting when they become more established. Taste is context, and the context has changed.”
—Susan Sontag (b. 1933)
“No culture on earth outside of mid-century suburban America has ever deployed one woman per child without simultaneously assigning her such major productive activities as weaving, farming, gathering, temple maintenance, and tent-building. The reason is that full-time, one-on-one child-raising is not good for women or children.”
—Barbara Ehrenreich (b. 1941)
“We do not need to minimize the poverty of the ghetto or the suffering inflicted by whites on blacks in order to see that the increasingly dangerous and unpredictable conditions of middle- class life have given rise to similar strategies for survival. Indeed the attraction of black culture for disaffected whites suggests that black culture now speaks to a general condition.”
—Christopher Lasch (b. 1932)