Kurdish People - Culture

Culture

Main articles: Kurdish culture, Kurdish literature, and Kurdish women

Kurdish culture is a legacy from the various ancient peoples who shaped modern Kurds and their society, but primarily of three layers of indigenous (Hurrian), ancient Iranian, and Islamic roots. Kurdish culture is close to that of other Iranian peoples. Kurds, for instance, also celebrate Newroz (March 21) as New Year's Day. Kurdish films mainly evoke poverty and the lack of rights of Kurdish people in the region. Yılmaz Güney (Yol ) and Bahman Qubadi (A Time for Drunken Horses, Turtles Can Fly) are among the better-known Kurdish directors.

In contrast to many neighboring Muslim populations, Kurdish women are not secluded and do not wear the face veil. Kurdish men and women participate in mixed-gender dancing during feasts, weddings and other social celebrations. Major Soane, a British colonial officer during World War I, noted that this is unusual among Islamic people and pointed out that in this respect Kurdish culture is more akin to that of eastern Europe than to their West Asian counterparts.

Read more about this topic:  Kurdish People

Famous quotes containing the word culture:

    “To be a Negro is to participate in a culture of poverty and fear that goes far deeper than any law for or against discrimination.... After the racist statutes are all struck down, after legal equality has been achieved in the schools and in the courts, there remains the profound institutionalized and abiding wrong that white America has worked on the Negro for so long.”
    —Michael Harrington (1928–1989)

    “We belong to an age whose culture is in danger of perishing through the means to culture.”
    —Friedrich Nietzsche (1844–1900)

    “Children became an obsessive theme in Victorian culture at the same time that they were being exploited as never before. As the horrors of life multiplied for some children, the image of childhood was increasingly exalted. Children became the last symbols of purity in a world which was seen as increasingly ugly.”
    —C. John Sommerville (20th century)