Kung Fu Panda - Production

Production

"...we love martial arts movies. I wasn't interested in making fun of them, because I really think martial arts movies can be great films, they can be as good as any genre movie when they're done properly

Let's try to make it a real martial arts movie albeit one with a comic character and let's take our action seriously. Let's not give anything up to the big summer movies. Let's really make sure that our kung fu is as cool as any kung fu ever done, so that we can take our place in that canon and make sure it's a beautiful movie, because great martial arts movies are really beautiful-looking movies and then let's see if we can imbue it with real heart and emotion."

—co-director John Stevenson on the comedic approach to the martial arts film.

Publicized work on the film began in October 2004. In September 2005, DreamWorks Animation announced the film alongside Jack Black, who was selected to be the main voice star. In November 2005, DreamWorks Animation announced that Dustin Hoffman, Jackie Chan, Lucy Liu and Ian McShane would join Jack Black in the cast.

The idea for the film was conceived by Michael Lachance, a DreamWorks Animation executive. Initially, the idea was to make it a spoof, but co-director John Stevenson was not particularly keen on it so instead chose the direction of a character based wuxia comedy. Reportedly inspired by Stephen Chow's 2004 martial arts action comedy, Kung Fu Hustle, the co-directors wanted to make sure the film also had an authentic Chinese and kung fu feel to it. Production designer Raymond Zibach and art director Tang Heng spent years researching Chinese painting, sculpture, architecture and kung fu films to help create the look of the film. Zibach said some of the biggest influences for him are the more artful martial arts films such as Hero, House of Flying Daggers and Crouching Tiger, Hidden Dragon. Stevenson's aim for the film, which took four years to make, was to make "the best looking film DreamWorks has ever made".

"We've had some productions that were stressful, but this one ran very smoothly and DreamWorks is this production as a template on how they would like future productions to run. We lucked out, and there really was a sense of harmony on the animation. Even the production people. We all seemed like we were on the same page, believing in the film. That doesn’t happen very often. I tell animators, you will be working on dumpers for most of your career, but every once in a while you get a gem. Kung Fu Panda was a gem."

—Dan Wagner, Head of Character Animation.

The hand-drawn animation sequence at the beginning of the film was made to resemble Chinese shadow puppetry. The opening, which was directed by Jennifer Yuh Nelson and produced by James Baxter, was praised by The New York Times reviewer Manohla Dargis as "striking" and "visually different from most mainstream American animations". Other reviewers have compared the opening to the evocative style of Genndy Tartakovsky's Samurai Jack. The rest of the film is modern computer animation, which uses bright, offbeat colors to evoke the natural landscape of China. The end credit sequence also features hand-drawn characters and still paintings in the background.

The computer animation used throughout the film was more complex than anything DreamWorks had done before. When the head of production handed the script to VFX Supervisor Markus Manninen, she reportedly laughed and wished him "good luck". "When we started talking," said Manninen, "the movie was still a high concept. But for everyone that looked at it, it screamed complexity. We launched off saying, how can you make this movie tangible? How can you find smart ways to bring this world to life in a way that makes it a great movie and not feel like the complexity becomes the driver of the story, but the story and the emotion being the driver?" In preparation, the animators took a six hour kung fu class.

Producer Melissa Cobb said that originally Po was "more of a jerk," but that the character changed after they heard Jack Black. According to Jack Black, he mostly worked "in isolation", although he and Dustin Hoffman did spend a day together, which Cobb said helped with the scene where their characters face off. Lucy Liu said that the film "was quite different because it was such a long process." Liu said that when she was presented with the project they already had artwork of her character as well as a "short computerized video version of what she would look like when she moved."