Kristen Meadows - Television

Television

  • One Life to Live (1979–1986) as Mimi King
  • Matt Houston (1983) as Erin
  • Lottery! (1983) as episode Winning Can Be Murder
  • T. J. Hooker (1983) episode Matter Of Passion
  • The A-Team (1983) episode Diamonds n' Dust as Toby Griffith
  • The Fall Guy (1983) episode The Molly Sue as Stacy Baker
  • The Fall Guy (1984) episode Losers Weepers as Liz Martinson
  • Hill Street Blues (1984) episode Rookie Nookie as Caroline Reynolds
  • Hill Street Blues (1984) episode Fowl Play as Caroline Reynolds
  • Hill Street Blues (1984) episode Bangladesh Slowly as Caroline Reynolds
  • Riptide (1984) episode Conflict Of Interest as Tina Brasil
  • Automan (1984) episode The Biggest Game In Town as Ellie Harmon
  • Sins Of The Past (1984) as Diane
  • Glitter (1984) as Julie Tipton
  • Simon & Simon (1985) episode Simon Without Simon (part I - II) as Sally Edwards
  • The A-Team (1985) episode Incident At Crystal Lake as Jenny Sherman
  • Street Hawk (1985) episode Fire On The Wing as Diana Gassner
  • Double Dare (1985)
  • Santa Barbara (1986–1989) as Victoria “Tori“ Lane Capwell
  • The Wizard (1986) episode Haunting Memories
  • Sonny Spoon (1988) episode Diamonds Aren't Forever
  • Paradise (1991) episode Bad Blood
  • MacGyver (1991) episode Strickly Business as Suzanne Walker
  • Baywatch Nights (1996) episode Thief In The Night as Jeri Ross
  • High Tide (1996) episode Dr. Feelgood as Dr. Andrea Manning
  • Beyond Belief: Fact or Fiction (1998) episode The Gift Tammy's mother
  • The Bold and the Beautiful (2001) as real estate agent

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Famous quotes containing the word television:

    Cultural expectations shade and color the images that parents- to-be form. The baby product ads, showing a woman serenely holding her child, looking blissfully and mysteriously contented, or the television parents, wisely and humorously solving problems, influence parents-to-be.
    Ellen Galinsky (20th century)

    Television ... helps blur the distinction between framed and unframed reality. Whereas going to the movies necessarily entails leaving one’s ordinary surroundings, soap operas are in fact spatially inseparable from the rest of one’s life. In homes where television is on most of the time, they are also temporally integrated into one’s “real” life and, unlike the experience of going out in the evening to see a show, may not even interrupt its regular flow.
    Eviatar Zerubavel, U.S. sociologist, educator. The Fine Line: Making Distinctions in Everyday Life, ch. 5, University of Chicago Press (1991)

    The television screen, so unlike the movie screen, sharply reduced human beings, revealed them as small, trivial, flat, in two banal dimensions, drained of color. Wasn’t there something reassuring about it!—that human beings were in fact merely images of a kind registered in one another’s eyes and brains, phenomena composed of microscopic flickering dots like atoms. They were atoms—nothing more. A quick switch of the dial and they disappeared and who could lament the loss?
    Joyce Carol Oates (b. 1938)