Sources
- Boehmer, Konrad. 1967. Zur Theorie der offenen Form in der neuen Musik. Darmstadt: Edition Tonos. (Second edition 1988.)
- Boehmer, Konrad. 1970. Zwischen Reihe und Pop: Musik und Klassengesellschaft. J & V Musik. Vienna and Munich: Jugend und Volk.
- Boehmer, Konrad. 1987. “The Sanctification of Misapprehension into a Doctrine: Darmstadt Epigones and Xenophobes”. English translation by Sonia Prescod Jokel. Key Notes 24:43–47
- Boehmer, Konrad. 2009. Doppelschläge: Texte zur Musik, vol. 1: 1958–1967. Quellentexte zur Musik des 20. /21. Jahrhunderts 12, edited by Stefan Fricke and Christian Grün. Saarbrücken: Pfau. ISBN 978-3-89727-407-5
- Sabbe, Herman. 2001. "Boehmer, Konrad", The New Grove Dictionary of Music and Musicians, second edition, edited by Stanley Sadie and John Tyrrell, vol. 2. London: Macmillan Publishers.
- Sanders, Rik. 2001. "Konrad Boehmer: 'Computer kan componist niet vervangen'". Computable (8 June). Accessed 20 December 2009. (Dutch)
Read more about this topic: Konrad Boehmer
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