Komparu Zenchiku - Further Reading

Further Reading

• Nōgakuron Kenkyū, by Konishi Jin'ichi (Keene commends pgs 240-271 in particular)
• Revealed Identity: The Noh Plays of Komparu Zenchiku (Michigan Monograph Series in Japanese Studies, 55), by Paul S. Atkins. ISBN 978-1-929280-36-0
• Six Circles, One Dewdrop: The Religio-aesthetic World of Komparu Zenchiku, Arthur H. Thornhill. ISBN 978-0-691-07352-1, 1 June 1993, Princeton University Press
• Traces in the Way: Michi and the Writings of Komparu Zenchiku, Noel J. Pinnington. Published by Cornell University's East Asia Program 30 June 2006; ISBN 978-1-933947-02-0
• Zeami, Zenchiku (1974), Zeami; Zenchiku Konparu; Akira Omote; Shuichi Katō. ISBN 978-4-00-070024-5
• "Crossed Paths: Zeami's Transmission to Zenchiku" by Noel J. Pinnington, Monumenta Nipponica, Vol. 52, No. 2. (Summer, 1997), pp. 201–234.
• "Esotericism in noh commentaries and plays: Konparu Zenchiku's Meishuku shu and Kakitsubata," by Susan Blakeley Klein in The culture of secrecy in Japanese religion, Bernhard Scheid; Mark Teeuwen. ISBN 0-415-38713-2
• "Spirituality for the dancer-actor in Zeami's and Zenchiku's writings on the No." Benito Ortolani, 1983-1978; Dance as cultural heritage. Vol. 1. (CORD dance research annual. 14) New York, CORD, c1983. p -158. OCLC: 83163532
• "Was the Author of Ominameshi Komparu Zenchiku?", Haruo Nishino, in "The Noh Ominameshi: A Flower Viewed from Many Directions," Cornell East Asia Series 2003, Vol. 118, pages 209-222, ISSN 1050-2955
• "Zenchiku's Aesthetics of the Nō Theatre", Benito Ortolani
• "Zenchiku's Philosophy of the Noh Drama", by Asaji Nobori, in the 1960 Hiroshima Bunkyō Joshi Daigaku Kenkyū Kiyō.