Koichi Wajima - Professional Career

Professional Career

Wajima captured the Japanese super welterweight title in September, 1969. He defended the title 9 times before returning it. He got his first shot at the world title against Carmelo Bossi for the world super welterweight title on October 31, 1971 in Tokyo. He won by 15-round split decision to capture his first world title. He made his first defense in May, 1972, taking less than 2 minutes to knock out his opponent. He would defend the title a total of 6 times. He quickly became one of the most popular boxers in Japan for his peculiar "Frog Jump" uppercut punch.

He lost his 7th defense to Oscar Albarado in 1974 by KO in the 15th round. He got a rematch with Albarado 7 months later, on January 21, 1975, and managed to avenge his loss with a 15-round decision win to regain the WBC and WBA titles. He was stripped of the WBC title in March, and lost to Jae-Doo Yuh to lose his WBA super welterweight title as well. However, he regained his WBA title in February, 1976, with a 15th round KO over Yuh.

Wajima lost to Jose Manuel Duran in his first defense, losing the world title for the third time in his career. He fought his final match In June, 1977, challenging Eddie Gazo for the WBA super welterweight title, but lost by 11th round KO. This was the last fight of his career. His record was 31-6-1 (25KOs).

Read more about this topic:  Koichi Wajima

Famous quotes containing the words professional and/or career:

    The professional celebrity, male and female, is the crowning result of the star system of a society that makes a fetish of competition. In America, this system is carried to the point where a man who can knock a small white ball into a series of holes in the ground with more efficiency than anyone else thereby gains social access to the President of the United States.
    C. Wright Mills (1916–1962)

    I doubt that I would have taken so many leaps in my own writing or been as clear about my feminist and political commitments if I had not been anointed as early as I was. Some major form of recognition seems to have to mark a woman’s career for her to be able to go out on a limb without having her credentials questioned.
    Ruth Behar (b. 1956)