Knights of Cydonia - Composition and Meaning

Composition and Meaning

In the intro is a citation of the five tone musical phrase from the film Close Encounters of the Third Kind. The song features vocals from both Bellamy's higher and lower ranges layered and both synthesised and live trumpet parts. The guitar sound in the song was inspired by the 1962 number one hit "Telstar" by The Tornados (George Bellamy, Matt Bellamy's father, was the band's rhythm guitarist). The song, taken in entirety, also bears a striking resemblance to George Bellamy's composition "Ridin' the Wind". The first noise heard in the song is an explosion, then a horse neigh. The first 2:03 of the song is a guitar solo to the tune of the lyrics, before Bellamy sings "Come ride with me, through the veins of history."

The song's meaning is to teach people to stand up for themselves and make their own destiny.

Bellamy has stated that on the album in general he tried to create a vision of what is occurring in the song. For example, the bassline has a galloping rhythm depicting someone riding a horse.

Read more about this topic:  Knights Of Cydonia

Famous quotes containing the words composition and, composition and/or meaning:

    The naive notion that a mother naturally acquires the complex skills of childrearing simply because she has given birth now seems as absurd to me as enrolling in a nine-month class in composition and imagining that at the end of the course you are now prepared to begin writing War and Peace.
    Mary Kay Blakely (20th century)

    Pushkin’s composition is first of all and above all a phenomenon of style, and it is from this flowered rim that I have surveyed its seep of Arcadian country, the serpentine gleam of its imported brooks, the miniature blizzards imprisoned in round crystal, and the many-hued levels of literary parody blending in the melting distance.
    Vladimir Nabokov (1899–1977)

    Let us think this thought in its most terrible form: existence as it is, without meaning or aim, and yet recurring inevitably, without a finale in nothingness—”eternal recurrence.”
    Friedrich Nietzsche (1844–1900)