History
Kitchell Park was given to the city of Pana by John W. Kitchell and his wife Mary Little Kitchell in 1908. It is home to several unique and old features. The round Chautauqua Pavilion was built in 1911 and has attracted such speakers as William Jennings Bryan, WWI hero Sergeant York and Billy Sunday among others. The Schuyler Bridge was constructed entirely of concrete in 1910. The park's ornate main gate acted as the entrance booth for the Tri-County Fair which was held on park grounds from 1885 until it moved to its present fairgrounds in 1949. Part of the park's original horse track is still one of the main roads through the park. The story is that Frank James of the Missouri Gang was starter and timekeeper at the track in his later years, after he was pardoned by authorities.
Today the park is home to tennis courts, softball and baseball diamonds, a swimming pool, playgrounds and a picnic area. The park's auditorium is the result of a deluge, 6.5 inches of rain, that fell on the area in 1910. It was felt that if the pavilion were to survive adequate shelter would need to be provided. At the time of its construction the auditorium was called one of the most modern in the nation with its seating capacity of 3,500 and 35 X 45-foot (14 m) stage. The auditorium was renovated in 1955 through funding from the Pana Lions Club. New paint, a concrete floor and rewiring for the installation of 24 overhead lights were all included in the project. The city recently received a $200,000 grant to restore the auditorium to its original state, construction is expected to begin in spring of 2007.
Read more about this topic: Kitchell Park
Famous quotes containing the word history:
“... all big changes in human history have been arrived at slowly and through many compromises.”
—Eleanor Roosevelt (1884–1962)
“If you look at the 150 years of modern China’s history since the Opium Wars, then you can’t avoid the conclusion that the last 15 years are the best 15 years in China’s modern history.”
—J. Stapleton Roy (b. 1935)
“Literary works cannot be taken over like factories, or literary forms of expression like industrial methods. Realist writing, of which history offers many widely varying examples, is likewise conditioned by the question of how, when and for what class it is made use of.”
—Bertolt Brecht (1898–1956)