Kim Manners - Career

Career

Manners made his directorial debut in 1978, directing an episode of Charlie's Angels. Prior to this, he had worked as unit production manager on the show and as an assistant director on a handful of other projects. Other notable directorial credits to Manners' name include episodes of 21 Jump Street, Mission: Impossible, Star Trek: The Next Generation, Baywatch, K-9000, and The Commish.

Manners left his directing job at Stephen J. Cannell Productions in 1993 to work on the television series The Adventures of Brisco County, Jr. He directed 7 of the series' 27 episodes, more than any other director for the show. He joked that he was the series' "mascot director". He was happy with the work for the series, and felt that it "stretched" him creatively. He said, "It really woke me up as a director, almost spiritually…" and that directing for Brisco was a large contributing factor to his later success as a regular director on The X-Files.

Manners signed on to produce and direct The X-Files in the show's second season at the advice of Rob Bowman, who had worked on the show in its first season, and James Wong and Glen Morgan, who were writers for the show and had previously worked with Manners on 21 Jump Street. He, along with his fellow producers on The X-Files, was nominated for four Emmy awards for Outstanding Drama Series in 1995, 1996, 1997 and 1998. Manners was referenced in the X-Files episode "Jose Chung's From Outer Space" with a foul-mouthed police detective named after him. Following the finale of The X-Files in 2002, Manners directed a number of small projects before signing on to direct and produce Supernatural in 2005.

Read more about this topic:  Kim Manners

Famous quotes containing the word career:

    They want to play at being mothers. So let them. Expressing tenderness in their own way will not prevent girls from enjoying a successful career in the future; indeed, the ability to nurture is as valuable a skill in the workplace as the ability to lead.
    Anne Roiphe (20th century)

    Whether lawyer, politician or executive, the American who knows what’s good for his career seeks an institutional rather than an individual identity. He becomes the man from NBC or IBM. The institutional imprint furnishes him with pension, meaning, proofs of existence. A man without a company name is a man without a country.
    Lewis H. Lapham (b. 1935)

    I’ve been in the twilight of my career longer than most people have had their career.
    Martina Navratilova (b. 1956)