Kiki and Herb - Fictional Biography

Fictional Biography

For years, Bond and Mellman maintained a meticulous backstory for their characters, one made official on the Kiki and Herb MySpace page and their official website. This involved the characters meeting as children in a mental institution before becoming a jazz act in the fifties, beginning a long and chequered career mixing periods of success and misfortune. The shows were supposedly part of their comeback trail, and they would perform songs supposedly from throughout their career (which were actually anachronistic covers). Between songs Kiki would tell anecdotes from her life, including her friendships with Billie Holiday and Grace Kelly, and the details of her various relationships, whilst drinking heavily and often having on-stage rages and breakdowns.

However, in "Alive on Broadway," they introduced the notion that the fictional backstory may be meta-fictional—Kiki spoke of the duo actually being thousands of years old, implying that some of her previous stories were, at least in part, lies told by the character. After the Broadway show, Bond and Mellman consistently included this twist in their shows' monologues—Kiki will talk about knowing Jesus "in the Biblical sense," hanging around with Marie Antoinette, and even romancing a young Adolf Hitler.

Read more about this topic:  Kiki And Herb

Famous quotes containing the words fictional and/or biography:

    One of the proud joys of the man of letters—if that man of letters is an artist—is to feel within himself the power to immortalize at will anything he chooses to immortalize. Insignificant though he may be, he is conscious of possessing a creative divinity. God creates lives; the man of imagination creates fictional lives which may make a profound and as it were more living impression on the world’s memory.
    Edmond De Goncourt (1822–1896)

    A great biography should, like the close of a great drama, leave behind it a feeling of serenity. We collect into a small bunch the flowers, the few flowers, which brought sweetness into a life, and present it as an offering to an accomplished destiny. It is the dying refrain of a completed song, the final verse of a finished poem.
    André Maurois (1885–1967)