Kerala State Film Award For Best Documentary

The Kerala State Film Award for Best Documentary winners:

No Year Documentary Director Producer
1 1978 Vallathol P. Bhaskaran
2 1979 Koodiyattam P. M. Aziss
3 1980
4 1981 Homage to Trees P. A. Iqball
5 1982 Krishnanattam Adoor Gopalakrishnan
6 1983 Reverse of Kerala Mathew Paul James Paul
7 1984 Kalamandalam Krishnan Nair Mathew Paul James Paul
8 1985 Brown Landscape Aravindan N. Madhavan Pillai
9 1986 The Catch Aravindan
10 1987 Basheer the Man M. A. Rahman Kannam Kulam Abdulla
11 1988 Panchavathyam Mathew Paul Doordharshan, Thiruvananthapuram
12 1989 Kala Mandalam Krishnan Kutty Pothuval K. R. Mohan
13 1990 Mohiniyattam Sivan
14 1991 Mulberriyum Pattunoolum P. P. Govindan K S F D C
15 1992 Noottandinte Sakshi Salam Karasseri Sasibooshan
16 1993 Thekku (Teak) Majid Gulisthan K S F D C
17 1994 Visudhavanangal K. R. Mohanan K S F D C
18 1995 Pakarnnattam M. R. Rajan, C.S. Venkiteswaran P. G. Mohanan
19 1996 Silent Screams (A Village Chronicle) O. K. Johny Jose Sebastian
20 1997 Ayyankali - Mizhavu R. S. Madhu - K. R. Subhash P. Sasidharan - P. D. Raphel
21 1998 Premji-Ithihasathinte Sparsam M. R. Rajan P. Appukkuttan, Secretary, Kerala Sangeetha Nataka Academy, Thrissur
22 1999 Kalamandalam Gopi Adoor Gopalakrishnan Films Division
23 2000 Palathulliperuvallom K. Mohankumar K. Sivaprasad
24 2001 Kanavumalayilekku M. G. Sasi Tomy Mathew
25 2002 Jeevanakalayude Pulluvageetham M. Venukumar L. Sivanandan
26 2003
27 2004 Kovilan Ente Achachan M. A. Rahman
28 2005
29 2006 Minukku M.R.Rajan Devadasan Kizhapat
30 2007 Before the Brush Dropped Vinod Mankara
31 2008 No award
32 2009 Ezhuthatha Kathukal Vinod Mankara
33 2010 Making of a Maestro - A documentary on Kalamandalam Gopi Meena Das Narayan K Narayan Nedungadi


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    Thomas Jefferson (1743–1826)

    The motion picture is like a picture of a lady in a half- piece bathing suit. If she wore a few more clothes, you might be intrigued. If she wore no clothes at all, you might be shocked. But the way it is, you are occupied with noticing that her knees are too bony and that her toenails are too large. The modern film tries too hard to be real. Its techniques of illusion are so perfect that it requires no contribution from the audience but a mouthful of popcorn.
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    The award of a pure gold medal for poetry would flatter the recipient unduly: no poem ever attains such carat purity.
    Robert Graves (1895–1985)

    If you want to tell the untold stories, if you want to give voice to the voiceless, you’ve got to find a language. Which goes for film as well as prose, for documentary as well as autobiography. Use the wrong language, and you’re dumb and blind.
    Salman Rushdie (b. 1948)