Works
Original published works:
- He That Plays The King (1950)
- Persona Grata (photographs by Cecil Beaton, 1953)
- Alec Guinness (1953)
- Bull Fever (Longmans, 1955)
- Quest for Corbett (Gaberbocchus, 1960)
- Curtains (1961)
- Tynan Right and Left: Plays, Films, People, Places and Events (1967 ISBN 0-689-10271-2)
- The Sound of Two Hands Clapping (1975)
- Show People: Profiles in Entertainment (1980 ISBN 0-671-25012-4)
- Kathleen Tynan (ed.) Kenneth Tynan: Letters ISBN 0-517-39926-1.
- John Lahr (ed.) The Diaries of Kenneth Tynan, 2001 ISBN 0-7475-5418-8, ISBN 1-58234-160-5.
Selections:
- Kenneth Tynan (ed.) A View of the English Stage (London: Eyre Methuen 1975) - dramatic criticism
- Kathleen Tynan & Ernie Eban (ed.) Profiles 1990. Various editions: ISBN 0-06-039123-5.
- Dominic Shellard (ed.) Kenneth Tynan: Theatre Writings, 2007
Read more about this topic: Kenneth Tynan
Famous quotes containing the word works:
“Reason, the prized reality, the Law, is apprehended, now and then, for a serene and profound moment, amidst the hubbub of cares and works which have no direct bearing on it;Mis then lost, for months or years, and again found, for an interval, to be lost again. If we compute it in time, we may, in fifty years, have half a dozen reasonable hours.”
—Ralph Waldo Emerson (1803–1882)
“And when discipline is concerned, the parent who has to make it to the end of an eighteen-hour day—who works at a job and then takes on a second shift with the kids every night—is much more likely to adopt the survivor’s motto: “If it works, I’ll use it.” From this perspective, dads who are even slightly less involved and emphasize firm limits or character- building might as well be talking a foreign language. They just don’t get it.”
—Ron Taffel (20th century)
“Was it an intellectual consequence of this ‘rebirth,’ of this new dignity and rigor, that, at about the same time, his sense of beauty was observed to undergo an almost excessive resurgence, that his style took on the noble purity, simplicity and symmetry that were to set upon all his subsequent works that so evident and evidently intentional stamp of the classical master.”
—Thomas Mann (1875–1955)