Writing
He is part of a group of British science fiction writers who specialise in hard science fiction and space opera. His contemporaries include Stephen Baxter, Iain M. Banks, Alastair Reynolds, Adam Roberts, Charles Stross, Richard Morgan and Liz Williams.
His novels often explore socialist, communist and anarchist political ideas, most particularly the variants of Trotskyism and anarcho-capitalism or extreme economic libertarianism. Technical themes encompass singularities, divergent human cultural evolution and post-human cyborg-resurrection. MacLeod's general outlook can be best described as techno-utopian socialist, though unlike a majority of techno-utopians, he has expressed great scepticism over the possibility and especially over the desirability of Strong AI.
He is known for his constant in-joking and punning on the intersection between socialist ideologies and computer programming, as well as other fields. For example, his chapter titles such as "Trusted Third Parties" or "Revolutionary Platform" usually have double (or multiple) meanings. A future programmers union is called "Information Workers of the World Wide Web", or the Webblies, a reference to the Industrial Workers of the World, who are nicknamed the Wobblies. The Webblies idea formed a central part of the novel For the Win by Cory Doctorow and MacLeod is acknowledged as coining the term. Doctorow has also used one of Macleod's references to the singularity as "the rapture for nerds" as the title for his book Rapture of the Nerds. There are also many references to, or puns on, zoology and palaeontology. For example in The Stone Canal the title of the book, and many places described in it, are named after anatomical features of marine invertebrates such as starfish.
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Famous quotes containing the word writing:
“The human head is bigger than the globe. It conceives itself as containing more. It can think and rethink itself and ourselves from any desired point outside the gravitational pull of the earth. It starts by writing one thing and later reads itself as something else. The human head is monstrous.”
—Günther Grass (b. 1927)
“Nine-tenths of the value of a sense of humor in writing is not in the things it makes one write but in the things it keeps one from writing. It is especially valuable in this respect in serious writing, and no one without a sense of humor should ever write seriously. For without knowing what is funny, one is constantly in danger of being funny without knowing it.”
—Robert Benchley (1889–1945)
“I thank you for your letter. I was very glad to get it; and I am glad again to write to you. However slow the steamer, no time intervenes between the writing and the reading of thoughts, but they come freshly to the most distant port.”
—Henry David Thoreau (1817–1862)