Ken MacLeod - Writing

Writing

He is part of a group of British science fiction writers who specialise in hard science fiction and space opera. His contemporaries include Stephen Baxter, Iain M. Banks, Alastair Reynolds, Adam Roberts, Charles Stross, Richard Morgan and Liz Williams.

His novels often explore socialist, communist and anarchist political ideas, most particularly the variants of Trotskyism and anarcho-capitalism or extreme economic libertarianism. Technical themes encompass singularities, divergent human cultural evolution and post-human cyborg-resurrection. MacLeod's general outlook can be best described as techno-utopian socialist, though unlike a majority of techno-utopians, he has expressed great scepticism over the possibility and especially over the desirability of Strong AI.

He is known for his constant in-joking and punning on the intersection between socialist ideologies and computer programming, as well as other fields. For example, his chapter titles such as "Trusted Third Parties" or "Revolutionary Platform" usually have double (or multiple) meanings. A future programmers union is called "Information Workers of the World Wide Web", or the Webblies, a reference to the Industrial Workers of the World, who are nicknamed the Wobblies. The Webblies idea formed a central part of the novel For the Win by Cory Doctorow and MacLeod is acknowledged as coining the term. Doctorow has also used one of Macleod's references to the singularity as "the rapture for nerds" as the title for his book Rapture of the Nerds. There are also many references to, or puns on, zoology and palaeontology. For example in The Stone Canal the title of the book, and many places described in it, are named after anatomical features of marine invertebrates such as starfish.

Read more about this topic:  Ken MacLeod

Famous quotes containing the word writing:

    “To him Homer was a great writer, though what his writing was about he did not know.”
    —Henry David Thoreau (1817–1862)

    “In writing biography, fact and fiction shouldn’t be mixed. And if they are, the fictional points should be printed in red ink, the facts printed in black ink.”
    —Catherine Drinker Bowen (1897–1973)

    “It seems to me that our three basic needs, for food and security and love, are so mixed and mingled and entwined that we cannot straightly think of one without the others. So it happens that when I write of hunger, I am really writing about love and the hunger for it, and warmth and the love of it and the hunger for it ... and then the warmth and richness and fine reality of hunger satisfied ... and it is all one.”
    —M.F.K. Fisher (b. 1908)