Writing
He is part of a group of British science fiction writers who specialise in hard science fiction and space opera. His contemporaries include Stephen Baxter, Iain M. Banks, Alastair Reynolds, Adam Roberts, Charles Stross, Richard Morgan and Liz Williams.
His novels often explore socialist, communist and anarchist political ideas, most particularly the variants of Trotskyism and anarcho-capitalism or extreme economic libertarianism. Technical themes encompass singularities, divergent human cultural evolution and post-human cyborg-resurrection. MacLeod's general outlook can be best described as techno-utopian socialist, though unlike a majority of techno-utopians, he has expressed great scepticism over the possibility and especially over the desirability of Strong AI.
He is known for his constant in-joking and punning on the intersection between socialist ideologies and computer programming, as well as other fields. For example, his chapter titles such as "Trusted Third Parties" or "Revolutionary Platform" usually have double (or multiple) meanings. A future programmers union is called "Information Workers of the World Wide Web", or the Webblies, a reference to the Industrial Workers of the World, who are nicknamed the Wobblies. The Webblies idea formed a central part of the novel For the Win by Cory Doctorow and MacLeod is acknowledged as coining the term. Doctorow has also used one of Macleod's references to the singularity as "the rapture for nerds" as the title for his book Rapture of the Nerds. There are also many references to, or puns on, zoology and palaeontology. For example in The Stone Canal the title of the book, and many places described in it, are named after anatomical features of marine invertebrates such as starfish.
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Famous quotes containing the word writing:
“All writers are vain, selfish and lazy, and at the very bottom of their motives lies a mystery. Writing a book is a long, exhausting struggle, like a long bout of some painful illness. One would never undertake such a thing if one were not driven by some demon whom one can neither resist nor understand.”
—George Orwell (1903–1950)
“The parody is the last refuge of the frustrated writer. Parodies are what you write when you are associate editor of the Harvard Lampoon. The greater the work of literature, the easier the parody. The step up from writing parodies is writing on the wall above the urinal.”
—Ernest Hemingway (1899–1961)
“In writing biography, fact and fiction shouldn’t be mixed. And if they are, the fictional points should be printed in red ink, the facts printed in black ink.”
—Catherine Drinker Bowen (1897–1973)