Writing
He is part of a group of British science fiction writers who specialise in hard science fiction and space opera. His contemporaries include Stephen Baxter, Iain M. Banks, Alastair Reynolds, Adam Roberts, Charles Stross, Richard Morgan and Liz Williams.
His novels often explore socialist, communist and anarchist political ideas, most particularly the variants of Trotskyism and anarcho-capitalism or extreme economic libertarianism. Technical themes encompass singularities, divergent human cultural evolution and post-human cyborg-resurrection. MacLeod's general outlook can be best described as techno-utopian socialist, though unlike a majority of techno-utopians, he has expressed great scepticism over the possibility and especially over the desirability of Strong AI.
He is known for his constant in-joking and punning on the intersection between socialist ideologies and computer programming, as well as other fields. For example, his chapter titles such as "Trusted Third Parties" or "Revolutionary Platform" usually have double (or multiple) meanings. A future programmers union is called "Information Workers of the World Wide Web", or the Webblies, a reference to the Industrial Workers of the World, who are nicknamed the Wobblies. The Webblies idea formed a central part of the novel For the Win by Cory Doctorow and MacLeod is acknowledged as coining the term. Doctorow has also used one of Macleod's references to the singularity as "the rapture for nerds" as the title for his book Rapture of the Nerds. There are also many references to, or puns on, zoology and palaeontology. For example in The Stone Canal the title of the book, and many places described in it, are named after anatomical features of marine invertebrates such as starfish.
Read more about this topic: Ken MacLeod
Famous quotes containing the word writing:
“No author, without a trial, can conceive of the difficulty of writing a romance about a country where there is no shadow, no antiquity, no mystery, no picturesque and gloomy wrong, nor anything but a commonplace prosperity, in broad and simple daylight, as is happily the case with my dear native land.”
—Nathaniel Hawthorne (1804–1864)
“It is wrong to be harsh with the New York critics, unless one admits in the same breath that it is a condition of their existence that they should write entertainingly about something which is rarely worth writing about at all.”
—Raymond Chandler (1888–1959)
“I doubt that I would have taken so many leaps in my own writing or been as clear about my feminist and political commitments if I had not been anointed as early as I was. Some major form of recognition seems to have to mark a woman’s career for her to be able to go out on a limb without having her credentials questioned.”
—Ruth Behar (b. 1956)