Kathleen Petyarre - Sources

Sources

  1. Brody, Ann, Contemporary Aboriginal Art from the Robert Holmes a Court Collection, 1990, Ann Brody, Plate 45, pp. 67
  2. Utopia Women's Paintings: The First Works on Canvas, A Summer Project 1989, Anne Brody, Catalogue No.7
  3. Utopia - A Picture Story, 88 Silks batiks from the Robert Holmes a Court Collection, 1990, Anne Brody, pp. 50, 51, 34
  4. The Art of Utopia: A New Direction in Contemporary Aboriginal Art, 1991 Michael Boulter, plate 19, pp. 83, plate 53, pp. 157
  5. Dreamings of the Desert, Art Gallery of South Australia, 1996, pp. 111
  6. Dreampower, Art of Contemporary Aboriginal Australia, 1997, David Cossey, Museum Art International, pp. 16 & 17
  7. Expanse: Aboriginalities, spatialities and the politics of ecstasy, an exhibition by Ian North. Art Museum University of South Australia, 1998, pp. 3, 5, 6, 8, 12, 22, 23
  8. Raiki Wara, Long Cloth from Aboriginal Australia and the Torres Strait, Judith Ryan, National Gallery of Victoria, 1998
  9. Art Monthly: Kathleen Petyarre and the Heroic Odyssey of Arnekerrth, pp 7 – 9, October 1998, Number 114
  10. Treasures, Art Gallery of South Australia, Adelaide, pp. 145, 182. 1998
  11. Seppelt Contemporary Art Awards MCA 1998 Catalogue, pp. 14–18, Museum of Contemporary Art, Sydney, NSW
  12. Aboriginal Art, Howard Morphy, Arts & Ideas, Phaidon Press Limited, 1998, London, UK. pp. 309, 310, 442
  13. The Times Higher Education Supplement, London, UK. 3 March 1998, pg. 30, 31
  14. Telstra, 15th National Aboriginal & Torres Strait Islander Art Award Catalogue, 1998, Museum & Art Gallery of the Northern Territory, pg. 4, 38,39
  15. Recent Paintings by Kathleen Petyarre, catalogue, 1999, Gallerie Australis, Adelaide, South Australia
  16. Karra, a project of the Telstra Festival 2000 presented by the Visual Art Department, Adelaide Festival Centre, catalogue, 2000, pp., 18, 19, 27,30 31
  17. The Return of Beauty, Editor, Margot Osborne, Jam Factory Contemporary Craft & Design, Adelaide, South Australia, pp., 9,22,23,28,29,30
  18. Beyond The Pale, Adelaide Biennial of Australian Art 2000, Art Gallery of South Australia, curated by Brenda L. Croft, catalogue, Adelaide, 2000, pp., 14,65 - 69, 99, 105, 112
  19. Journal of the Anthropological Society of South Australia, Vol., 32 No's., 1 & 2. pp. 1 – 32
  20. Across – An exhibition of indigenous Art and Culture, ANU Canberra School of Art Gallery, curated by Doreen Mellor, catalogue published ANU Canberra School of Art Gallery, 2000, pp. 3,4,11
  21. Spiritualidad y arte Aborigen Australiano, Comuidad de Madrid, Consejeria De Cultura, Madrid, Spain, 2001
  22. Oxford Companion to Aboriginal Art & Culture, ed. Klienert & Neale, 2000, pp. 672 – 673, pl. 259
  23. Genius of Place, The Work of Kathleen Petyarre, exhibition catalogue, Museum of Contemporary Art, author Christine Nicholls
  24. Genius of Place, Kathleen Petyarre, monograph, published Wakefield Press, 2001, Essays by Christine Nicholls, Prof. Ian North
  25. Sisters/Yakkananna, Kahui Mareikura Exhibition, Tandanya, Adelaide, South Australia, 3 March – 28 April 2002, published by National Aboriginal Cultural Institute – Tandanya, page 8,16

Read more about this topic:  Kathleen Petyarre

Famous quotes containing the word sources:

    Even healthy families need outside sources of moral guidance to keep those tensions from imploding—and this means, among other things, a public philosophy of gender equality and concern for child welfare. When instead the larger culture aggrandizes wife beaters, degrades women or nods approvingly at child slappers, the family gets a little more dangerous for everyone, and so, inevitably, does the larger world.
    Barbara Ehrenreich (20th century)

    My profession brought me in contact with various minds. Earnest, serious discussion on the condition of woman enlivened my business room; failures of banks, no dividends from railroads, defalcations of all kinds, public and private, widows and orphans and unmarried women beggared by the dishonesty, or the mismanagement of men, were fruitful sources of conversation; confidence in man as a protector was evidently losing ground, and women were beginning to see that they must protect themselves.
    Harriot K. Hunt (1805–1875)

    The sources of poetry are in the spirit seeking completeness.
    Muriel Rukeyser (1913–1980)