Temples
- Shree Maragatheeswarar Temple (Hill) ஸ்ரீ மரகதீஸ்வரர் கோவில், Molapalayam, Munur village, K.Paramathy, Karur district.
- Shree Kalyana Pasupatheeswarar Temple (Thiru Aanilai), (Karur)
- Shree Abayapradhana Ranganathar Temple, Karur
- Shree Karuvur Mariyamman Temple, Karur
- Thanthondrimalai Shree Kalyana Venkataramanaswamy Temple
- Vennaimalai Shree Balasubramania swamy Temple
- Pugazhimalai Shree BalasubramaniaSwamy Temple (Aaru Naatar Malai) Pugalur .
- Balmalai Shree Balathandayuthapani Temple
- Venjamangudalur Vigirtheeswarar Temple
- Noyyal Shree Selaandiyamman Temple
- Attur Sholiyamman Temple
- Vangal Shree Vangalamman Temple
- Nerur Shree Sadhasiva Bhrameendhraal Temple
- Madhukkarai Sellandiyamman Temple
- Manmangalam Shree Kaliyamman Temple
- Krishnarayapuram Tirukkanmalleswarar Temple
- Kadavur Vasantha perumal Temple
- Kulithalai Kadambar Temple
- Kulithalai Neelameegha perumal Temple
- Iyermalai Rathinagireeshwarar Temple
- Sivayam Sivapurishwarar Temple
- Lalapet Iyyapan Temple (1st Iyyapa Temple in Tamil Nadu)
- Lalapet Sri Jaya Anjaneya (300 years old)
- Togamalai Murugan Temple
- Rangamalai Malleeshwarar Temple
- Puliyur Vyakarapuriswarar temple - 13th century temple
- Puliyur - Raja Kaliamman temple
- Thottakuruchi- Malayamman Temple(Porul thantha kulam)
- Sri Chakkarathalwar Temple, near Jawahar bazzar
Read more about this topic: Karur District
Famous quotes containing the word temples:
“Within the hollow crown
That rounds the mortal temples of a king
Keeps Death his court, and there the antic sits,
Scoffing his state and mocking at his pomp,
Allowing him a breath, a little scene,
To monarchize, be feared, and kill with looks.”
—William Shakespeare (1564–1616)
“Goddesses never die. They slip in and out of the world’s cities, in and out of our dreams, century after century, answering to different names, dressed differently, perhaps even disguised, perhaps idle and unemployed, their official altars abandoned, their temples feared or simply forgotten.”
—Phyllis Chesler (b. 1941)
“Color is my day-long obsession, joy and torment. To such an extent indeed that one day, finding myself at the deathbed of a woman who had been and still was very dear to me, I caught myself in the act of focusing on her temples and automatically analyzing the succession of appropriately graded colors which death was imposing on her motionless face.”
—Claude Monet (1840–1926)