Career
Born to a family of musicians, he had exposure various kinds of music at a very early age. He had his formal training in Western Classical music from the Trinity School of Music, mainly in piano (affiliated to Jacob John). He also had training in Carnatic music from T. V. Gopalakrishnan and Dakshina Murthy Swami. To this day he derives most of his inspiration from classical music (Western and Indian) and jazz.
As a child, he often used to accompany his father to the recording studios.. At the age of 13, Karthik Raja played the keyboard for the song Kannukkum from the Tamil movie Ninaikka Therinda Maname (1987). Many such outings followed including playing keyboard for the soundtrack of the movie Nayagan. Karthik also arranged many recordings for his father and composed his first song Pandianin Rajiyathil for the movie Pandiyan (1992) and Ninaikindra for the movie Athma (1993). Around this time, he also composed some background score for the TV series Bible.
He debuted as a full fledged composer in 1996 through the Tamil movie Alexander, soon followed by Manikyam. Then came many chart-busters that included Ullaasam, Naam Iruvar Nammaku Iruvar, Kadhala Kadhala and Dumm Dumm Dumm among others. He also debuted into Hindi films with Grahan which won him the R D Burman award for the best new talent.
Read more about this topic: Karthik Raja
Famous quotes containing the word career:
“I doubt that I would have taken so many leaps in my own writing or been as clear about my feminist and political commitments if I had not been anointed as early as I was. Some major form of recognition seems to have to mark a woman’s career for her to be able to go out on a limb without having her credentials questioned.”
—Ruth Behar (b. 1956)
“What exacerbates the strain in the working class is the absence of money to pay for services they need, economic insecurity, poor daycare, and lack of dignity and boredom in each partner’s job. What exacerbates it in upper-middle class is the instability of paid help and the enormous demands of the career system in which both partners become willing believers. But the tug between traditional and egalitarian models of marriage runs from top to bottom of the class ladder.”
—Arlie Hochschild (20th century)
“I seemed intent on making it as difficult for myself as possible to pursue my “male” career goal. I not only procrastinated endlessly, submitting my medical school application at the very last minute, but continued to crave a conventional female role even as I moved ahead with my “male” pursuits.”
—Margaret S. Mahler (1897–1985)