Style
Reiner's musical output was created during fifty years, since 1928/9 to 1979, and was firmly connected with the political situation in Czechoslovakia in the 20th century. His first artistic period was influenced by his teachers and models (Alois Hába, Josef Suk, Emil František Burian, and Erwin Schulhoff), it was part of Czech artistic avant-garde, and it was later rejected by communists as formalism. After the critique of the party he was forced to find new, more traditional and conservative ways of composing. This period lasted roughly to 1960. The last period (1960–79) is considered the most artistically valuable. The musical trends in Czechoslovakia were freer in that time and Reiner thus was able to show his expressive musical thinking. He composed almost in all musical categories, created vocal works (songs, choirs), instrumental works (for solo instrument, chamber, symphonic), vocal-instrumental works (cantata, opera), film music, incidental music, composed popular dance songs at the start of his career, and was inspired also by jazz and folk music. He composed for almost all instruments, including bass clarinet, dulcimer, solo drums and for baritone saxophone.
Read more about this topic: Karel Reiner
Famous quotes containing the word style:
“As the style of Faulkner grew out of his rage—out of the impotence of his rage—the style of Hemingway grew out of the depth and nuance of his disenchantment.”
—Wright Morris (b. 1910)
“To write well, to have style ... is to paint. The master faculty of style is therefore the visual memory. If a writer does not see what he describes—countrysides and figures, movements and gestures—how could he have a style, that is originality?”
—Rémy De Gourmont (1858–1915)
“The difference between style and taste is never easy to define, but style tends to be centered on the social, and taste upon the individual. Style then works along axes of similarity to identify group membership, to relate to the social order; taste works within style to differentiate and construct the individual. Style speaks about social factors such as class, age, and other more flexible, less definable social formations; taste talks of the individual inflection of the social.”
—John Fiske (b. 1939)