Early Life and Career
He was born on 25 July 1935 to Kaikala Laxmi Narayana couple at Kautaram village in Krishna district. Having completed his primary in gudlavalleru and intermediate education in Vijayawada, Satyanarayana graduated from Gudivada College. He married Nageswaramma on 10 April 1960 and is blessed with two daughters and two sons.
He was first noticed by D. L. Narayana, who offered him a role in his film Sipayi Koothuru directed by Changayya in 1959. Though it did not do well at the box office. One of the reasons why the makers noticed him is his resemblance to N.T. Rama Rao. They found him as a prospective candidate to play dupe to NTR. Satyanarayana aptly fitted that place. He played dupe to NTR in several movies. NTR offered Satyanarayana a role in his film Apoorva Sahasra Siraccheda Chintamani in 1960, directed by S. D. Lal. Satyanarayana played the role of a prince.
B. Vittalacharya cast him in a negative role in Kanaka Durga Pooja Mahima. He fit the role to a T; from then on, Satyanarayana grew to infinite bounds in establishing himself in villain roles. Satyanarayana established Rama films production and made films such as Kodama Simham, Bangaru Kutumbam, Muddula Mogudu. In 1996, he stepped into politics by winning Lok Sabha elections from Machilipatnam constituency.
Read more about this topic: Kaikala Satyanarayana
Famous quotes containing the words early, life and/or career:
“The girl must early be impressed with the idea that she is to be “a hand, not a mouth”; a worker, and not a drone, in the great hive of human activity. Like the boy, she must be taught to look forward to a life of self-dependence, and early prepare herself for some trade or profession.”
—Elizabeth Cady Stanton (1815–1902)
“The happiest part of a man’s life is what he passes lying awake in bed in the morning.”
—Samuel Johnson (1709–1784)
“The problem, thus, is not whether or not women are to combine marriage and motherhood with work or career but how they are to do so—concomitantly in a two-role continuous pattern or sequentially in a pattern involving job or career discontinuities.”
—Jessie Bernard (20th century)