Kadhal Desam - Plot

Plot

In a city in Southern India traditional rivalry has always existed between the students of Pachaiyappas and Loyola Colleges respectively. Karthik (Vineeth) is poor and an orphan, who studies in Pachaiyappa's College, lives in a rented room, travels by the bus, hangs out with a number of friends, and is the Captain of his football team. He is also a good poet and daydreams about his dream girl. Arun (Abbas), on the other hand, comes from a rich and wealthy family, studies in Loyola College, drives his own car, hangs out with number of friends, and is also the Captain of his football team. In a nasty inter college riot Arun saves Karthik's life. So in return Karthik lets Arun win in a soccer game because he thinks Arun can't take losses easily.

Both become good friends, and they both show a good example of friendship to the others in the college road. Divya is the new girl in town who causes barbers to shave their clients head off, flowers to cry because she is not walking on them etc. Both fall in love with her, but neither realize that they both love the same woman. When they realize,their friendship is strained.The end of the movie shows Divya walking away with both of them as they were injured in a fight to save her from some rogues.It is implied that Divya decides to see both Arun and Karthik as best friends as she cannot deny either of them's love for her.

Read more about this topic:  Kadhal Desam

Famous quotes containing the word plot:

    If you need a certain vitality you can only supply it yourself, or there comes a point, anyway, when no one’s actions but your own seem dramatically convincing and justifiable in the plot that the number of your days concocts.
    John Ashbery (b. 1927)

    Morality for the novelist is expressed not so much in the choice of subject matter as in the plot of the narrative, which is perhaps why in our morally bewildered time novelists have often been timid about plot.
    Jane Rule (b. 1931)

    James’s great gift, of course, was his ability to tell a plot in shimmering detail with such delicacy of treatment and such fine aloofness—that is, reluctance to engage in any direct grappling with what, in the play or story, had actually “taken place”Mthat his listeners often did not, in the end, know what had, to put it in another way, “gone on.”
    James Thurber (1894–1961)