June Tabor - Early Years

Early Years

Tabor was inspired to sing by hearing Anne Briggs' EP Hazards of Love in 1965.

"I went and locked myself in the bathroom for a fortnight and drove my mother mad. I learned the songs on that EP note for note, twiddle for twiddle. That's how I started singing. If I hadn't heard her I'd have probably done something entirely different."

Remarking on how she developed her now-characteristic style in an interview in 2008, she added,

"I have no musical education whatsoever...I just learned the songs and copied the phrasing by playing those records ad nauseam, trying out both singers' styles. Then I tried putting the two together, and missing a few bits out - and that's approximately what I've been doing ever since. It's also why I don't do singing workshops, because that's about as much as I can tell anyone."

Her earliest public performances were at the Heart of England Folk Club, in the Fox and Vivian pub in Leamington Spa in the mid 1960s.

She attended St Hugh's College, Oxford University and appeared on University Challenge in 1968, as captain of the college team. She joined the Heritage Society at Oxford University and sang with a group called Mistral. An appearance at Sidmouth Folk Festival led to folk club bookings and she contributed to various records. One of her earliest recordings was in 1972 on an anthology called Stagfolk Live. She also featured on Rosie Hardman's Firebird (1972) and The First Folk Review Record (1974). At the time she was singing purely traditional unaccompanied material but in 1976 she collaborated with Maddy Prior on the Silly Sisters album and tour, with a full band that included Nic Jones. It provided the launching pad that same year (1976) for her first album in her own right, Airs and Graces. She later joined again with Prior, this time using the name Silly Sisters for their duo. Starting in 1977 Martin Simpson joined her in the recording studio for three albums before he moved to America in 1987. (Simpson has returned from America to be a guest guitarist on albums in the 2000s (decade).) After his departure, she started working closely with pianist Huw Warren.

Tabor stopped performing professionally for a time after working for decades as a singer, although she made some guest appearances with Fairport Convention during this period. During this time, she worked as a librarian and, with her then-husband David Taylor, ran a restaurant called "Passepartout" in Penrith, Cumbria, England before returning to music professionally in the 1990s.