Release and Aftermath
Released on 24 May 1968, "Jumpin' Jack Flash" (backed with "Child of the Moon") reached the top of the UK charts and peaked at number three in the United States. Some early London Records US pressings of the single had a technical flaw in them: about halfway through the song's instrumental bridge, the speed of the master tape slows down for a moment, then comes back to speed. The first Rolling Stones album on which the song appeared was their 1969 compilation album, Through the Past, Darkly (Big Hits Vol. 2), one year after the single was released.
The Rolling Stones have played "Jumpin' Jack Flash" during every tour since its release. It ranks as the song the band has played in concert most frequently, and has appeared on the concert albums Get Yer Ya-Ya's Out!, Love You Live, Flashpoint, The Rolling Stones Rock and Roll Circus (featuring the only released live performance of the song with Brian Jones). Jones is heard clearly, mixing with Richards' lead throughout the song. The intro is not usually played in concert and instead the song begins with the main riff. The open E or open D tuning of the rhythm guitar on the studio recording has also not been replicated in concert (with the possible exception of the 1968 NME awards show, no recording of which has ever surfaced). In the performance filmed for The Rolling Stones Rock and Roll Circus in December 1968, Richards used standard tuning; and ever since the band's appearance at Hyde Park on 5 July 1969, he has played it in open G tuning with a capo on the fourth fret.
In March 2005, Q magazine placed "Jumpin' Jack Flash" at number 2 in its list of the 100 Greatest Guitar Tracks. In 2004, Rolling Stone rated the song 124th on its list of the 500 Greatest Songs of All Time. VH1 placed it at 65 on its show 100 Greatest Rock Songs.
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Famous quotes containing the words release and, release and/or aftermath:
“We read poetry because the poets, like ourselves, have been haunted by the inescapable tyranny of time and death; have suffered the pain of loss, and the more wearing, continuous pain of frustration and failure; and have had moods of unlooked-for release and peace. They have known and watched in themselves and others.”
—Elizabeth Drew (1887–1965)
“Come, thou long-expected Jesus,
born to set thy people free;
from our fears and sins release us,
let us find our rest in thee.”
—Charles Wesley (1707–1788)
“The aftermath of joy is not usually more joy.”
—Mason Cooley (b. 1927)