Julia Alvarez

Julia Alvarez (born March 27, 1950) is a Dominican-American poet, novelist, and essayist. Born in New York of Dominican descent, she spent the first ten years of her childhood in the Dominican Republic, until her father's involvement in a political rebellion forced her family to flee the country.

Alvarez rose to prominence with the novels How the García Girls Lost Their Accents (1991), In the Time of the Butterflies (1994), and Yo! (1997). Her publications as a poet include Homecoming (1984) and The Woman I Kept to Myself (2004), and as an essayist the autobiographical compilation Something to Declare (1998). Many literary critics regard her to be one of the most significant Latina writers and she has achieved critical and commercial success on an international scale.

Many of Alvarez's works are influenced by her experiences as a Dominican in the United States, and focus heavily on issues of assimilation and identity. Her cultural upbringing as both a Dominican and an American is evident in the combination of personal and political tone in her writing. She is known for works that examine cultural expectations of women both in the Dominican Republic and the United States, and for rigorous investigations of cultural stereotypes. In recent years, Alvarez has expanded her subject matter with works such as In the Name of Salomé (2000), a novel with Cuban rather than solely Dominican characters and fictionalized versions of historical figures.

In addition to her successful writing career, Alvarez is the current writer-in-residence at Middlebury College.

Read more about Julia Alvarez:  Literary Work, Influence On Latin American Literature, Grants and Honors, List of Works

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    The old, subjective, stagnant, indolent and wretched life for woman has gone. She has as many resources as men, as many activities beckon her on. As large possibilities swell and inspire her heart.
    —Anna Julia Cooper (1859–1964)

    Despite the hundreds of attempts, police terror and the concentration camps have proved to be more or less impossible subjects for the artist; since what happened to them was beyond the imagination, it was therefore also beyond art and all those human values on which art is traditionally based.
    —A. Alvarez (b. 1929)