Juan F. Acosta - First Composition

First Composition

External audio
You may listen to Luciano QuiƱones piano interpretation of Acosta's "Bajo la sombra de un Pino" here

Acosta had a girlfriend called Carmela who in turn had another friend by the same name. Before moving from San Sebastian, in 1909, at the age of 19, he wrote his first danza titled Las Carmelas, inspired by the girls. He moved to the town of Adjuntas where he organized its municipal band and various school bands. It is also where he met his future wife, Ramonita Nieves.

Acosta's artistic talent was soon solicited in other parts of Puerto Rico and he found himself working and visiting other towns. One of his students was a young man by the name of Rafael Alers, who in the future would also become a distinguished musician himself. He visited over 37 towns, where he instructed teachers in music and helped develop the educational music system of their schools.

On July 7, 1936, Acosta was resting under a pine tree in the plaza of the town of Hatillo, which inspired him to write one of his greatest compositions, the danza Bajo La Sombra de un Pino (Under the Shade of a Pine). Among Acosta's many compositions are Asi es la Vida (That's Life); and "Glorias del Pasado" (Glories of the Past). Acosta wrote over 844 musical pieces, including 127 hymns.

Read more about this topic:  Juan F. Acosta

Famous quotes containing the word composition:

    Give a scientist a problem and he will probably provide a solution; historians and sociologists, by contrast, can offer only opinions. Ask a dozen chemists the composition of an organic compound such as methane, and within a short time all twelve will have come up with the same solution of CH4. Ask, however, a dozen economists or sociologists to provide policies to reduce unemployment or the level of crime and twelve widely differing opinions are likely to be offered.
    Derek Gjertsen, British scientist, author. Science and Philosophy: Past and Present, ch. 3, Penguin (1989)

    Viewed freely, the English language is the accretion and growth of every dialect, race, and range of time, and is both the free and compacted composition of all.
    Walt Whitman (1819–1892)