Joyce Di Donato - Early Life and Education

Early Life and Education

Joyce DiDonato was born Joyce Flaherty in Prairie Village, Kansas in 1969, the sixth of seven children in a close-knit Irish-American family. She sang in choir and musicals in high school and dreamed of becoming a Broadway star or pop singer. DiDonato entered Wichita State University (WSU) in the autumn of 1988 where she studied vocal music education. She was initially more interested in teaching high school vocal music and musical theatre and did not become interested in opera until her junior year, when she was cast in a school production of Die Fledermaus. After graduating from WSU in the spring of 1992, DiDonato decided to pursue graduate studies in vocal performance at the Academy of Vocal Arts. Following her studies in Philadelphia, she was accepted in Santa Fe Opera's young artist program in 1995. While there she appeared in several minor roles and understudied for larger parts in such operas as Mozart's Le nozze di Figaro, Richard Strauss' Salome, Kálmán's Gräfin Mariza and the 1994 world premiere of David Lang's Modern Painters. DiDonato was honored as the Outstanding Apprentice Artist by the Santa Fe Opera that year. In 1996 she became a part of Houston Grand Opera's young artist program where she sang from the autumn of 1996 to the spring of 1998. During the summer of 1997, DiDonato participated in San Francisco Opera's Merola Program.

During her apprentice years, DiDonato competed in several notable vocal competitions. In 1996 she won second prize in the Eleanor McCollum Competition and was a district winner of the Metropolitan Opera National Council Auditions. In 1997 she won a William Matheus Sullivan Award. In 1998 she won second prize in the Operalia Competition, first place in the Stewart Awards, won the George London Competition, and a received a Richard F. Gold Career Grant from the Shoshana Foundation.

Read more about this topic:  Joyce Di Donato

Famous quotes containing the words early, life and/or education:

    Well, it’s early yet!
    Robert Pirosh, U.S. screenwriter, George Seaton, George Oppenheimer, and Sam Wood. Dr. Hugo Z. Hackenbush (Groucho Marx)

    Tomorrow in the offices the year on the stamps will be altered;
    Tomorrow new diaries consulted, new calendars stand;
    With such small adjustments life will again move forward
    Implicating us all; and the voice of the living be heard:
    “It is to us that you should turn your straying attention;
    Us who need you, and are affected by your fortune;
    Us you should love and to whom you should give your word.”
    Philip Larkin (1922–1986)

    How to attain sufficient clarity of thought to meet the terrifying issues now facing us, before it is too late, is ... important. Of one thing I feel reasonably sure: we can’t stop to discuss whether the table has or hasn’t legs when the house is burning down over our heads. Nor do the classics per se seem to furnish the kind of education which fits people to cope with a fast-changing civilization.
    Mary Barnett Gilson (1877–?)