Style
Wink's current style is a mixture of techno, acid, house, drum and bass, and experimental music. In interviews, he has stated that his music is "built around tension", and that his work is often influenced by "mistake theory, which is: I use a lot of things that you and I might consider mistakes....by (experimenting) with effects, with filters, with percentages in my sampler, and just doing stuff that you wouldn't ordinarily do."
In 1996, Rolling Stone writer Frank Broughton observed that "a Josh Wink record takes a series of sampled noises, then twists and warps them through a barrage of sound processors, resulting in a spiraling blend of acidic bass lines and trippy break beats." Another reviewer referred to Wink's Profound Sounds album series as "sensual techno, rendered as a whole composition rather than a collection of individual, flavor-of-the-month tracks."
Wink has acknowledged the music of Kraftwerk, 1980s synthpop and late 1980s Chicago house music as major influences on his style. He is a strong supporter of new DJing technology, most specifically utilising, demonstrating and advocating the Final Scratch application.
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