Joseph Wright of Derby - Life

Life

Joseph Wright was born in Irongate, Derby, the son of John Wright (1697–1767) an attorney, who was afterwards town-clerk, and his wife, Hannah Brookes (1700–1764); he was the third of their five children. Wright was educated at Derby grammar school and taught himself to draw by copying prints. Deciding to become a painter, Wright went to London in 1751 and for two years studied under a highly reputable portraitist, Thomas Hudson, the master of Joshua Reynolds. After painting portraits for a while at Derby, Wright again worked as an assistant to Hudson for fifteen months. In 1753 he returned to and settled in Derby and varied his work in portraiture by the production of the subjects with strong chiaroscuro under artificial light, with which his name is chiefly associated, and by landscape painting. In 1756 Wright re-entered Hudson's studio for 15 months, forming a lasting friendship with his fellow pupil John Hamilton Mortimer. Wright also spent a productive period in Liverpool, from 1768 to 1771, painting portraits. These included pictures of a number of prominent citizens and their families.

Wright married Ann (also known as Hannah) Swift, the daughter of a leadminer, on 28 July 1773 and at the end of that year visited Italy, where he remained till 1775. Wright and his wife had six children, three of whom died in infancy. While at Naples Wright witnessed an eruption of Mount Vesuvius, which formed the subject of many of his subsequent paintings. On his return from Italy he established himself at Bath as a portrait-painter, but meeting with little encouragement he returned to Derby in 1777, where he spent the rest of his life. He became increasingly asthmatic and nervous about the house, and for these complaints he was treated by his friend Dr. Erasmus Darwin. Ann Wright died on 17 August 1790. On 29 August 1797 Wright died at his new home at No. 28 Queen Street, Derby, where he had spent his final months with his two daughters.

Wright was a frequent contributor to the exhibitions of the Society of Artists, and to those of the Royal Academy, of which he was elected an associate in 1781 and a full member in 1784. He, however, declined the latter honour on account of a slight which he believed that he had received, and severed his official connection with the Academy, though he continued to contribute to the exhibitions from 1783 until 1794.

Beginning in 1765 Wright exhibited in London, annually at the Society of Artists from 1765 to 1776 and then less regularly from 1778 to 1794 at the Royal Academy. Wright also exhibited in 1778 and 1783 at the Free Society of Artists, and in 1784 and 1787 at the Society for Promoting the Arts in Liverpool. The label Wright of Derby was first bestowed on him by the Gazetteer's exhibition reviewer of 1768. In an age when it would have been improper to use artists' Christian names, it was necessary to differentiate between the work of two ‘Mr Wrights’—Joseph Wright, who began exhibiting in 1765, and Richard Wright, of Liverpool, an exhibitor since 1762. Bestowed for convenience, the label Wright of Derby has stuck to this day.