Life and Work
Collyer, the younger, was born in London, the son of Joseph Collyer (d. 1776), editor and translator, and Mary Collyer (née Mitchell, d. 1763), translator and novelist. He studied for a short time under the engraver Anthony Walker, and applied himself to book illustrations with success. He attracted the notice of John Boydell and was employed to make an engraving after David Teniers. In 1761 he was awarded a premium from the Society of Arts; about nine years later he entered the Royal Academy, where he exhibited for the first time in 1770. He was admitted as a student in 1771.
Sir Joshua Reynolds allowed Collyer to reproduce two of his paintings, "Venus" and "Una", as chalk engravings (a type of stipple engraving). He engraved some large plates including, 'The Volunteers of Ireland' after Francis Wheatley, published in 1784. In 1786 he was elected an associate engraver of the Royal Academy, and appointed portrait engraver to Queen Charlotte. In 1815 he was master warden of the Stationers' Company.
Among his engraved portraits may be mentioned those of the Princess of Wales and the Princess Charlotte (1799); George, Duke of Montagu (1793); Sir Charles Grey, K.B. (1797); Sir Joseph Banks (1789); Qian Long, emperor of China (1796); Thomas Newton, Bishop of Bristol; Mary Palmer (1785); William Whitehead (1787); Paul Whitehead (1776); and Sir William Young. Collyer also engraved the illustrations to Hervey's 'Naval History,' besides several plates after Rooker. He last exhibited at the Royal Academy in 1822, and died on 24 December 1827.
Engraver James Heath was one of his apprentices.
Read more about this topic: Joseph Collyer
Famous quotes containing the words life and/or work:
“The truth is, I do indulge myself a little the more in pleasure, knowing that this is the proper age of my life to do it; and, out of my observation that most men that do thrive in the world do forget to take pleasure during the time that they are getting their estate, but reserve that till they have got one, and then it is too late for them to enjoy it.”
—Samuel Pepys (16331703)
“You should go to picture-galleries and museums of sculpture to be acted upon, and not to express or try to form your own perfectly futile opinion. It makes no difference to you or the world what you may think of any work of art. That is not the question; the point is how it affects you. The picture is the judge of your capacity, not you of its excellence; the world has long ago passed its judgment upon it, and now it is for the work to estimate you.”
—Anna C. Brackett (18361911)