Work
Jungmann was a rigorous advocate of the rebirth of written Czech language. In contrast to his teacher, Josef Dobrovský, he also wrote his works in Czech. In 1805, he published a translation of Chateaubriand's "Atala". By this, he intended to prove, that the Czech language is suitable for complicated artistic texts. Later, he published translations of Johann Wolfgang Goethe, Friedrich Schiller and John Milton. Jungmann’s original poems are few, but include two early Revival sonnets and the short narrative poem Oldřich a Božena.
In following years, he published a series of polemic texts, most notably the "Talks on Czech Language". In 1820, he published "Slovesnost", which was a kind of a stylistic textbook. In 1825, a "History of Czech literature" followed.
His most important work is the Czech-German dictionary in five volumes (1834-39). In this dictionary, he laid out the basis for the modern Czech vocabulary. In order to achieve the stylistic range of vocabulary he desired, for poetic effect, and in order to expand the lexical resources of Czech, Jungmann revived archaic words, for which he studied historical documents, or borrowed from other Slavic languages, and created neologisms. Many of his words became a permanent part of the language.
Jungmannova Street and Jungmannovo náměstí (Jungmann's Square) in Prague are named after him; the square contains a large statue of Jungmann.
Read more about this topic: Josef Jungmann
Famous quotes containing the word work:
“Emperor Joseph II: Your work is ingenious. It’s quality work, and there are simply too many notes, that’s all. Just cut a few and it will be perfect.
Mozart: Which few did you have in mind, majesty?”
—Peter Shaffer (b. 1926)
“As a man has no right to kill one of his children if it is diseased or insane, so a man who has made the gradual and conscious expression of his personality in literature the aim of his life, has no right to suppress himself any carefully considered work which seemed good enough when it was written. Suppression, if it is deserved, will come rapidly enough from the same causes that suppress the unworthy members of a man’s family.”
—J.M. (John Millington)
“We all agree now—by “we” I mean intelligent people under sixty—that a work of art is like a rose. A rose is not beautiful because it is like something else. Neither is a work of art. Roses and works of art are beautiful in themselves. Unluckily, the matter does not end there: a rose is the visible result of an infinitude of complicated goings on in the bosom of the earth and in the air above, and similarly a work of art is the product of strange activities in the human mind.”
—Clive Bell (1881–1962)