Jonathan Shapiro - Work

Work

Jonathan started out as the editorial cartoonist of South in 1987. In 1988 Jonathan was detained shortly before leaving on a Fulbright Scholarship to study media arts at the School of Visual Arts in New York. There he studied under the comics masters Art Spiegelman, Will Eisner and Harvey Kurtzman.

Subsequently, Zapiro started out as the editorial cartoonist for South newspaper in 1987, and after his stint in New York he was the editorial cartoonist for the Sowetan from 1994 to 2005. His cartoons appeared in the Cape Argus from 1996 to 1997. He has been the editorial cartoonist for the Mail & Guardian since 1994, the Sunday Times since 1998 and since September 2005 he has appeared three times a week in the Cape Times, the Star, the Mercury and the Pretoria News.

Zapiro's work appears daily on the website of South African independent news publication, Mail & Guardian and weekly on the site of the Sunday Times.

Zapiro has published 17 annual cartoon collections:

  • The Madiba Years (1996)
  • The Hole Truth (1997)
  • End of Part One (1998)
  • Call Mr Delivery (1999)
  • The Devil Made Me Do It! (2000)
  • The ANC Went in 4x4 (2001)
  • Bushwhacked (2002)
  • Dr Do-Little and the African Potato (2003)
  • Long Walk to Free Time (2004)
  • Is There a Spin Doctor in the House? (2005)
  • Da Zuma Code (2006)
  • Take Two Veg and Call Me in the Morning (2007)
  • Pirates of Polokwane (2008)
  • The Mandela Files (2008)
  • Don't Mess with the President's Head (2009)
  • Do You Know Who I Am?! (2010)
  • The Last Sushi (2011)

Read more about this topic:  Jonathan Shapiro

Famous quotes containing the word work:

    “As for myself, I am simply Hop-Frog, the jester—and this is my last jest.”... The Work of vengeance was complete.
    Edgar Allan Poe (1809–1849)

    It is fair to assume that when women in the past have achieved even a second or third place in the ranks of genius they have shown far more native ability than men have needed to reach the same eminence. Not excused from the more general duties that constitute the cement of society, most women of talent have had but one hand free with which to work out their ideal conceptions.
    Anna Garlin Spencer (1851–1931)

    The real risks for any artist are taken ... in pushing the work to the limits of what is possible, in the attempt to increase the sum of what it is possible to think. Books become good when they go to this edge and risk falling over it—when they endanger the artist by reason of what he has, or has not, artistically dared.
    Salman Rushdie (b. 1947)