Jonathan Lethem - Works

Works

Novels
  • Gun, with Occasional Music (1994)
  • Amnesia Moon (1995)
  • As She Climbed Across the Table (1997)
  • Girl in Landscape (1998)
  • Motherless Brooklyn (1999)
  • The Fortress of Solitude (2003)
  • Believeniks!: 2005: The Year We Wrote a Book About the Mets with Christopher Sorrentino, as "Ivan Felt and Harris Conklin" (2006)
  • You Don't Love Me Yet (2007)
  • Chronic City (2009)
Novellas
  • This Shape We're In (2000)
Short story collections
  • The Wall of the Sky, the Wall of the Eye (1996)
  • Kafka Americana (1999) (with Carter Scholz)
  • Men and Cartoons (2004)
  • How We Got Insipid (2006)
Non-fiction
  • The Disappointment Artist (2005)
  • They Live (2010)
  • The Ecstasy of Influence: Nonfictions, Etc. (2011)
  • The Exegesis of Philip K. Dick (2011, co-editor with Pamela Jackson)
  • Talking Heads' Fear Of Music (2012)
Comics
  • Omega the Unknown (2007)
Films
  • Light and the Sufferer (2009) – screenplay by Christopher Peditto based on a short story by Lethem
  • The Epiphany (2011) – short film by SJ Chiro based on a short story by Lethem
Miscellaneous
  • "Monstrous Acts and Little Murders" (Salon.com essay, January 1997)
  • The Vintage Book of Amnesia (editor, 2001)
  • Da Capo Best Music Writing: The Year's Finest Writing on Rock, Pop, Jazz, Country and More (editor, 2002)
  • "You Don't Know Dick" (Bookforum essay, Summer 2002)
  • The Subway Chronicles (contributor, 2006)
  • Brooklyn Was Mine (contributor, 2008)
  • "Being James Brown" (Rolling Stone essay, June 2006)
  • "The Genius of Bob Dylan" (Rolling Stone interview, September 2006)
  • "The Ecstasy of Influence" (Harper's Magazine essay, February 2007)
  • "Ava's Apartment" (The New Yorker short story, May 2009)
  • "Procedure in Plain Air" (The New Yorker short story, October 2009)

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Famous quotes containing the word works:

    “Separatism of any kind promotes marginalization of those unwilling to grapple with the whole body of knowledge and creative works available to others. This is true of black students who do not want to read works by white writers, of female students of any race who do not want to read books by men, and of white students who only want to read works by white writers.”
    —bell hooks (b. 1955)

    “We thus worked our way up this river, gradually adjusting our thoughts to novelties, beholding from its placid bosom a new nature and new works of men, and, as it were with increasing confidence, finding nature still habitable, genial, and propitious to us; not following any beaten path, but the windings of the river, as ever the nearest way for us. Fortunately, we had no business in this country.”
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    “Men seem anxious to accomplish an orderly retreat through the centuries, earnestly rebuilding the works behind them, as they are battered down by the encroachments of time; but while they loiter, they and their works both fall prey to the arch enemy.”
    —Henry David Thoreau (1817–1862)