Jonathan David Katz - Works

Works

  • "Re-viewing the Field: Queer Studies in Art History", Art History, 1999
  • "John Cage's Queer Silence or How to Avoid Making Matters Worse", GLQ, Duke University Press, April, 1999. Reprinted in Here Comes Everybody: The Music Poetry and Art of John Cage, ed. David Bernstein, Chicago: University of Chicago Press, 1999
  • "Performative Silence and the Politics of Passivity," in Making a Scene, ed. Henry Rogers, Birmingham University Press, 1999
  • "Dismembership: Jasper Johns and the Body Politic", Performing the Body/Performing the Text, eds. Amelia Jones and Andrew Stephenson, New York: Routledge Press, 1999
  • Difference/Indifference: Musings on Duchamp and Cage, coauthored with Moira Roth, New York: Gordon and Breach, 1998
  • "Lovers and Divers: Picturing a Partnership in Rauschenberg and Johns", Frauen/Kunst/Wissenschaft, Berlin, June 1998
  • "Rauschenberg and the Guggenheim", Out Magazine, April 1998
  • "Rauschenberg's Honeymoon", Art & Text, no. 16 (May–July), 1998

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    “Reason, the prized reality, the Law, is apprehended, now and then, for a serene and profound moment, amidst the hubbub of cares and works which have no direct bearing on it;Mis then lost, for months or years, and again found, for an interval, to be lost again. If we compute it in time, we may, in fifty years, have half a dozen reasonable hours.”
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