Wood Engraving
In addition to his painting abilities John Nash was also an accomplished printmaker. He was a founder member of the Society of Wood Engravers (1920). He produced woodcuts and wood engravings first as decorations to literary periodicals, and then increasingly as illustrations for books produced by the private presses; these include Jonathan Swift’s Directions to Servants (Golden Cockerel Press, 1925) and Edmund Spenser’s The Shepheard’s Calendar (Cresset Press, 1930). A particular interest in botanical subjects can be instanced in this period by his illustrations to Gathorne-Hardy’s Wild Flowers in Britain (Batsford 1938).
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Famous quotes containing the words wood and/or engraving:
“This is the poem of the air,
Slowly in silent syllables recorded;
This is the secret of despair,
Long in its cloudy bosom hoarded,
Now whispered and revealed
To wood and field.”
—Henry Wadsworth Longfellow (1809–1882)
“For I so truly thee bemoane,
That I shall weep though I be Stone:
Until my Tears, still drooping, wear
My breast, themselves engraving there.
There at me feet shalt thou be laid,
Of purest Alabaster made:
For I would have thine Image be
White as I can, though not as Thee.”
—Andrew Marvell (1621–1678)