Mid-Life
In 1994, Gilmore wrote a book that chronicled the famous Black Dahlia unsolved homicide. Occurring in 1947, at a time when his father was on the police force, Gilmore's book Severed: The True Story of the Black Dahlia Murder earned him wide recognition. According to the Publishers Weekly review, in the book "Gilmore presents evidence that strengthens the LAPD's case against chief suspect Jack Wilson, a reclusive, alcoholic burglar and possible serial killer". Marilyn Manson, who made paintings based on photos from the book, said: "Severed is my favorite book... John Gilmore is my favorite writer. It has been my desire to direct Severed as a movie ... my directorial debut ...". The motion picture rights to Severed: The True Story of the Black Dahlia Murder had been under option by Edward Pressman Films for six years, during which time David Lynch was brought in to direct. Due to disagreements in the approach to the subject, despite having developed a script, the deal with David Lynch dissolved. Chris Hanley was then producing Severed: The True Story of the Black Dahlia Murder, for Edward Pressman Films, with Floria Sigismondi involved as director. Colin Wilson says of Gilmore's Severed: The True Story of the Black Dahlia Murder: "The best book on the Black Dahlia--in fact, the only reliable book."
John Gilmore's second 1996 release received praise from the New York Times Book Review for his story on the life and crimes of multiple murderer, Charles Schmid. In 1997, in "Laid Bare", his first book of memoirs, Gilmore recounts his associations beginning in the 1950s and through the 1960s with Hank Williams, Janis Joplin, Jack Nicholson, Jane Fonda, Dennis Hopper, Brigitte Bardot, Jean Seberg, Steve McQueen, Irish McCalla, Jayne Mansfield, and other personalities.
Read more about this topic: John Gilmore (writer)
Famous quotes containing the word mid-life:
“In mid-life the man wants to see how irresistible he still is to younger women. How they turn their hearts to stone and more or less commit a murder of their marriage I just don’t know, but they do.”
—Patricia Neal (b. 1926)
“The myth of independence from the mother is abandoned in mid- life as women learn new routes around the mother—both the mother without and the mother within. A mid-life daughter may reengage with a mother or put new controls on care and set limits to love. But whatever she does, her child’s history is never finished.”
—Terri Apter (20th century)