John Collier (artist) - Public Collections

Public Collections

Sixteen of John Collier's paintings are now in the collections of the National Portrait Gallery in London, and two are in the Tate Gallery. Four of the National Portrait Gallery paintings are currently (December 1997) on display: John Burns, Sir William Huggins, Thomas Huxley (the artist's father in law) and Charles Darwin (copies of the last two are also prominently displayed at the top of the staircase at the Athenaeum Club in London).

A self-portrait of 1907 have been preserved in the Uffizi in Florence which presumably commissioned it as part of its celebrated collection of artists’ self portraits.

Other pictures may be seen in houses and institutions open to the public: a large and striking painting of the murderess Clytemnestra is in the Guildhall Gallery of the City of London. The 'Death Sentence' was given by the widow of the artist to Wolverhampton Art Gallery. His portrait of the Earl of Onslow (1903), is at Clandon Park, Surrey (National Trust). His full-length portrait of Sir Charles Tertius Mander, first baronet, is at Owlpen Manor, Gloucestershire, with another version in the collection of the National Trust at Wightwick Manor.

Reproductions of many others, from various collections, may be consulted in the John Collier box in the National Portrait Gallery Heinz Archive and Library, and a very good selection is published in The Art of the Honourable John Collier by W.H. Pollock (1914). His work was also included in the Great Victorian Pictures exhibition mounted by the Arts Council in 1978 (catalogue, p27).

Read more about this topic:  John Collier (artist)

Famous quotes containing the words public and/or collections:

    Most of the folktales dealing with the Indians are lurid and romantic. The story of the Indian lovers who were refused permission to wed and committed suicide is common to many places. Local residents point out cliffs where Indian maidens leaped to their death until it would seem that the first duty of all Indian girls was to jump off cliffs.
    —For the State of Iowa, U.S. public relief program (1935-1943)

    Most of those who make collections of verse or epigram are like men eating cherries or oysters: they choose out the best at first, and end by eating all.
    —SĂ©bastien-Roch Nicolas De Chamfort (1741–1794)