John Betjeman - Betjeman and Architecture

Betjeman and Architecture

See also: Architecture of London and Architecture of Leeds

Betjeman had a fondness for Victorian architecture and was a founding member of Victorian Society. He wrote on this subject in First and Last Loves (1952) and more extensively in London's Historic Railway Stations in 1972, defending the beauty of the twelve of London's railway stations. He led the campaign to save Holy Trinity, Sloane Street in London when it was threatened with demolition in the early 1970s. He fought a spirited but ultimately unsuccessful campaign to save the Propylaeum, known commonly as the Euston Arch, London. He is considered instrumental in helping to save the famous façade of St Pancras railway station, London and was commemorated when it re-opened as an international and domestic terminus in November 2007. He called the plan to demolish St Pancras a "criminal folly". About the station itself he wrote, "What sees in his mind's eye is that cluster of towers and pinnacles seen from Pentonville Hill and outlined against a foggy sunset, and the great arc of Barlow's train shed gaping to devour incoming engines, and the sudden burst of exuberant Gothic of the hotel seen from gloomy Judd Street." On the re-opening St Pancras in 2007, a statue of Betjeman was commissioned from curators Futurecity. A proposal by artist Martin Jennings was selected from a shortlist. The finished work was erected in the station at platform level, including a series of slate roundels depicting selections of Betjeman's writings.

Betjeman was given the remaining two year lease on Victorian Gothic architect William Burges' Tower House in Holland Park upon leaseholder Mrs E.R.B. Grahams death in 1962. Betjeman felt he could not afford the financial implications of taking over the house permanently, with his potential liability for £10,000 of renovations upon the expiration of the lease. After damage from vandals, restoration work on the Tower House began in 1966.

Betjeman responded to architecture as the visible manifestation of society's spiritual life as well as its political and economic structure. He attacked speculators and bureaucrats for what he saw as their rapacity and lack of imagination. In the preface of his collection of architectural essays, First and Last Loves says: "We accept the collapse of the fabrics of our old churches, the thieving of lead and objects from them, the commandeering and butchery of our scenery by the services, the despoiling of landscaped parks and the abandonment to a fate worse than the workhouse of our country houses, because we are convinced we must save money." In a BBC film made in 1968 but not broadcast at that time, Betjeman described the sound of Leeds to be of "Victorian buildings crashing to the ground". He went on to lambaste John Poulson's building, British Railways House (now City House) saying how it blocked all the light out to City Square and was only a testament to money with no architectural merit. He also praised the architecture of Leeds Town Hall. In 1969 Betjeman contributed the foreword to Derek Linstrum's Historic Architecture of Leeds.

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Famous quotes containing the words betjeman and/or architecture:

    and the words never said,
    And the ominous, ominous dancing ahead.
    We sat in the car park till twenty to one
    And now I’m engaged to Miss Joan Hunter Dunn.
    —Sir John Betjeman (1906–1984)

    It seems a fantastic paradox, but it is nevertheless a most important truth, that no architecture can be truly noble which is not imperfect.
    John Ruskin (1819–1900)