Aubrey in Popular Culture
In 1967, English director Patrick Garland created a one-man show, "Brief Lives", based on Dick's edition of Aubrey's work. Starring Roy Dotrice, it became the most successful one-man production ever seen, with Dotrice giving over 1800 performances across forty years on both sides of the Atlantic. For many, the play became an essential means of understanding a "vanished time" and one version of it. Aubrey scholars, however, have sometimes seen the production as over-emphasising its subject's eccentricities and lack of organisation, to the detriment of a wider appreciation of his contributions to scholarship.
In 2008, Aubrey's Brief Lives was a five part drama serial on Radio 4. Writer Nick Warburton intertwined some of Aubrey's biographical sketches with the story of the turbulent friendship between Aubrey and Anthony Wood. Abigail le Fleming produced and directed.
Read more about this topic: John Aubrey
Famous quotes containing the words popular culture, aubrey, popular and/or culture:
“Like other secret lovers, many speak mockingly about popular culture to conceal their passion for it.”
—Mason Cooley (b. 1927)
“In ancient times—’twas no great loss—
They hung the thief upon the cross:
But now, alas!—I say’t with grief—
They hang the cross upon the thief.”
—Anonymous. “On a Nomination to the Legion of Honour,” from Aubrey Stewart’s English Epigrams and Epitaphs (1897)
“Resorts advertised for waitresses, specifying that they “must appear in short clothes or no engagement.” Below a Gospel Guide column headed, “Where our Local Divines Will Hang Out Tomorrow,” was an account of spirited gun play at the Bon Ton. In Jeff Winney’s California Concert Hall, patrons “bucked the tiger” under the watchful eye of Kitty Crawhurst, popular “lady” gambler.”
—Administration in the State of Colo, U.S. public relief program (1935-1943)
“The hatred of the youth culture for adult society is not a disinterested judgment but a terror-ridden refusal to be hooked into the, if you will, ecological chain of breathing, growing, and dying. It is the demand, in other words, to remain children.”
—Midge Decter (b. 1927)