Music
Two masses, seven motets, and two secular songs, both rondeaux, by Regis have survived; some other music is mentioned by Tinctoris and other writers but is lost. One of his lost works is a Missa L'homme armé; dating from the 1450s; it is one of the earliest known masses based on this most popular of all tunes for mass composition. In addition to this lost mass, he wrote another based on the same tune, a Dum sacrum mysterium/Missa l'homme armé; this one has survived, and is a contrapuntal tour-de-force which uses up to three pre-existing melodies simultaneously in the four voices. Regis is one of the few composers known to have written more than one L'homme armé mass.
Regis is one of the first composers to have written for five voices, a standard grouping in the music of the next generation (for example, in the music of Josquin des Prez). Indeed his motets for five voices seem to have been used by the next generation, including Loyset Compère, Gaspar van Weerbeke, Josquin, and Jacob Obrecht as models for their own work.
Read more about this topic: Johannes Regis
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