Work
In addition to his major work, his Novum Testamentum Graece (a text edition of the Greek New Testament), Scholz was also known for his efforts in Bible translation, in which he continued the work begun by Dominikus von Brentano and Anton Dereser.
Scholz's work in textual criticism was particularly appreciated by the British. He was able to add to the list of Greek manuscripts of the New Testament 616 new minuscule manuscripts. His additions to the list of uncials comprise only three fragments of the Gospels Wa, Y, and N. These manuscripts were partially examined and collated by him. Results of his work were published in 1830-1836.
Scholz's accession of new witnesses to the lists of New Testament manuscripts was extensive. He was responsible for adding codices 260-469 of the Gospels, 110-192 of the Acts, 125-246 of the Pauline epistles, 51-89 of the Apocalypse, 51-181 Evangelistaria, and 21-48 Apostoloi.
Scholz collated the entire text of five manuscripts: 262, 299, 300, 301 and 346. Other manuscripts he collated in large part: (260, 270, 271, 277, 284, 285, 298, 324, 353, 382 and 428).
Scholz divided all New Testament manuscripts into five families: two African (Alexandrian and Western), one Asiatic, one Byzantine and one Cyprian. He was the first to emphasize the importance of ascertaining the geographical provenance of a witness. That point was elaborated by Streeter in 1924 ("theory of local texts"). Scholz, after some tentative attempts at classifying manuscripts, rejected this theory and adopted Bengel's division into two families, which he called the Alexandrian and the Constantinopolitan. He initially favoured the Constantinopolitan (Byzantine) family of manuscripts, but in 1845 he retracted this preference for the Constantinopolitan.
Read more about this topic: Johann Martin Augustin Scholz
Famous quotes containing the word work:
“The beaux and the babies, the servant troubles, and the social aspirations of the other girls seemed to me superficial. My work did not. I was professional. I could earn my own money, or I could be fired if I were inefficient. It was something to get your teeth into. It was living.”
—Edna Woolman Chase (1877–1957)
“There is only one art, whose sole criterion is the power, the authenticity, the revelatory insight, the courage and suggestiveness with which it seeks its truth.... Thus, from the standpoint of the work and its worth it is irrelevant to which political ideas the artist as a citizen claims allegiance, which ideas he would like to serve with his work or whether he holds any such ideas at all.”
—Václav Havel (b. 1936)
“You are made
Rather to wonder at the things you hear
Than to work any.”
—William Shakespeare (1564–1616)