Works
His catechism was:
- Evangelischer Bericht und Christliche Unterweisung der furnehmlichsten Stuck des waren heyligen Christlichen Glaubens, published first at Mainz in 1537 and often re-edited, lastly by Christoph Moufang (Die Mainzer Katechismen).
Dietenberger's German Bible translation:
- Biblia beider Allt und Newen Testamenten, new verdeutscht, published at Mainz in 1534. This work, repeatedly corrected, especially by Kaspar Ulenberg (Cologne, 1630) and the Jesuit theologians of Mainz (1661), was destined to become for the German people Die Katholische Bibel.
He used freely the New Testament of Emser (1527), of whom Martin Luther was wont to say that "he had ploughed with his heifers"; he used likewise other translations compiled in pre-Reformation times, and so did Luther. He was well acquainted with the versions of Luther and of Leo Jud, and used them to improve his own.
Dietenberger composed fifteen polemical tracts, treating various subjects then much mooted: Mass, confession, vows, faith, etc.
Read more about this topic: Johann Dietenberger
Famous quotes containing the word works:
“I divide all literary works into two categories: Those I like and those I don’t like. No other criterion exists for me.”
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“They commonly celebrate those beaches only which have a hotel on them, not those which have a humane house alone. But I wished to see that seashore where man’s works are wrecks; to put up at the true Atlantic House, where the ocean is land-lord as well as sea-lord, and comes ashore without a wharf for the landing; where the crumbling land is the only invalid, or at best is but dry land, and that is all you can say of it.”
—Henry David Thoreau (1817–1862)
“Was it an intellectual consequence of this ‘rebirth,’ of this new dignity and rigor, that, at about the same time, his sense of beauty was observed to undergo an almost excessive resurgence, that his style took on the noble purity, simplicity and symmetry that were to set upon all his subsequent works that so evident and evidently intentional stamp of the classical master.”
—Thomas Mann (1875–1955)