Works
Huizinga had an aesthetic approach to history, where art and spectacle played an important part. His most famous work is The Autumn of the Middle Ages (a.k.a. The Waning of the Middle Ages) (1919). He here reinterpreted the later Middle Ages as a period of pessimism and decadence rather than rebirth.
Worthy of mentioning are also Erasmus (1924) and Homo Ludens (1938). In the latter book he discussed the possibility that play is the primary formative element in human culture. Huizinga also published books on American history and Dutch history in the 17th century.
Alarmed by the rise of National Socialism in Germany, Huizinga wrote several works of cultural criticism. Many similarities can be noted between his analysis and that of contemporary critics such as Ortega y Gasset and Oswald Spengler. Huizinga argued that the spirit of technical and mechanical organisation had replaced spontaneous and organic order in cultural as well as political life.
The Huizinga Lecture (Dutch: Huizingalezing) is a prestigious annual lecture in the Netherlands about a subject in the domains of cultural history or philosophy in honour of Johan Huizinga.
Read more about this topic: Johan Huizinga
Famous quotes containing the word works:
“‘Tis too plain that with the material power the moral progress has not kept pace. It appears that we have not made a judicious investment. Works and days were offered us, and we took works.”
—Ralph Waldo Emerson (1803–1882)
“That man’s best works should be such bungling imitations of Nature’s infinite perfection, matters not much; but that he should make himself an imitation, this is the fact which Nature moans over, and deprecates beseechingly. Be spontaneous, be truthful, be free, and thus be individuals! is the song she sings through warbling birds, and whispering pines, and roaring waves, and screeching winds.”
—Lydia M. Child (1802–1880)
“The family that perseveres in good works will surely have an abundance of blessings.”
—Chinese proverb.