Equipment
The main guitar associated with Joe Perry is the Gibson Les Paul. He has used many different types of Les Pauls since the 70s, including Les Paul Juniors, Les Paul Standards, and Les Paul Customs. In the 1990s and early 2000s, Gibson issued a Joe Perry signature Les Paul guitar; this guitar was customized with an active mid-boost control, black chrome hardware, and a translucent black finish. However, in 2004, this model was replaced by another Joe Perry signature Les Paul, the Joe Perry Boneyard Les Paul. This guitar is characterized by Perry's custom "Boneyard" logo on the headstock and a figured maple top with a green tiger finish, and is available with either a stopbar tailpiece or a Bigsby tailpiece; Perry typically uses a Bigsby-equipped Boneyard model in Aerosmith and solo live shows. The Gibson Joe Perry was a present from his wife Billie and then he was allowed to manufacture it. Perry has also endorsed an affordable replica version of the Boneyard guitar made by Epiphone that carries the same USA made Burstbucker pickups as the Gibson model. It is a customized Gibson B.B. King "Lucille" guitar; however, instead of the black finish and "Lucille" signature on the headstock, Perry's guitar features a white finish, a "Billie Perry" signature on headstock and an image of Billie Perry on the front of the guitar. He has also used Gibson SGs, Firebirds, ES-175s, ES-335s, and ES-350s at various points in his career.
Perry has been known to play guitars of other luthiers and manufacturers. In the late 1970s and 1980s, Perry frequently used various Fender Stratocasters; many of these guitars were left-handed Strats turned upside-down and appropriately restrung. One of these "upside-down" models is still played occasionally by Perry onstage, usually for "Sweet Emotion". Perry also uses Fender Telecasters, some modified with neck humbuckers. In the late 1970s and early 1980s, Perry (along with fellow Aerosmith guitarist Brad Whitford) endorsed B.C. Rich guitars, and frequently used the Mockingbird (such as in the performance of "Come Together" in the film Sgt. Pepper's Lonely Hearts Club Band) and 10-string B.C. Rich models. He has also been photographed playing what looks like, judging by the headstock logo, a custom built Spector guitar, and some ESP guitars during the 80s.
The six-string bass guitar is a trademark of Perry's guitar sound; instead of playing it like an ordinary bass guitar, he uses it like a regular guitar, playing riffs, chords, and solos. The six-string bass helped to create the characteristic growl of Aerosmith's "Back in the Saddle", "Combination", and "Draw the Line". In the past, Perry used Fender Bass VI and Danelectro six-string basses; he also used a Gibson EB-6 for the bass solo on "King of the Kings" on the Joe Perry Project's Once a Rocker, Always a Rocker album (as indicated by the album's liner notes). Perry currently uses an Ernie Ball MusicMan six-string bass onstage.
For amps, Perry uses a collection of various alternating vintage amps on stage, including 200 watt Marshall Major amps, Fender Silverface Dual Showman amps, a Fender Tweed Bassman and many more. In the studio he uses various vintage low wattage tube amps including a Fender Tweed Champ and an Epiphone Pacemaker Model EA50T manufactured in Kalamazoo, Michigan in the early 60s.
For slide work, Perry typically uses a Dan Armstrong Lucite guitar, such as for "Draw the Line". Joe has also been known to use a Pro Co RAT, Klon Centaur, talkbox, Dunlop Cry Baby and a DigiTech Whammy.
Perry currently has a collection of about 600 guitars.
Read more about this topic: Joe Perry (musician)
Famous quotes containing the word equipment:
“At the heart of the educational process lies the child. No advances in policy, no acquisition of new equipment have their desired effect unless they are in harmony with the child, unless they are fundamentally acceptable to him.”
—Central Advisory Council for Education. Children and Their Primary Schools (Plowden Report)
“Biological possibility and desire are not the same as biological need. Women have childbearing equipment. For them to choose not to use the equipment is no more blocking what is instinctive than it is for a man who, muscles or no, chooses not to be a weightlifter.”
—Betty Rollin (b. 1936)
“Why not draft executive and management brains to prepare and produce the equipment the $21-a-month draftee must use and forget this dollar-a-year tommyrot? Would we send an army into the field under a dollar-a-year General who had to be home Mondays, Wednesdays and Fridays?”
—Lyndon Baines Johnson (1908–1973)