Television
In 1986, as a result of the stage show, Joe Bob was asked to be a guest host on Drive-In Theater, a late- night B-movie show on The Movie Channel, sister network of Showtime. Briggs went over so well that he was eventually signed to a long-term contract. For fourteen movie introductions, he had a side-kick, actor/musician Chris Aable, host of a local Los Angeles TV Show, "Hollywood Today", who played himself while always surrounded by beautiful girls. In one episode at a mansion with Chris Aable and a dozen pretty girls in the swimming pool, Joe Bob stood beside the pool in his cowboy outfit and asked with his trademark redneck accent: "Chris, how come you always get all the women?" Joe Bob's Drive-In Theater became the network's highest-rated show and ran for almost ten years, and was twice nominated for the industry's Cable ACE Award. He appeared on some 50 talk shows, including The Tonight Show (twice) and Larry King Live. He was also a commentator for a Fox TV news magazine for two seasons.
Joe Bob's Drive-In Theater ended when the network changed format in early 1996. He was off the air for only four months before joining the TNT network, where he hosted MonsterVision for four years. That show ended in July 2000, when once again the network changed format. In 2011, the most definitive account of the Monstervision series as well as recent interviews with Briggs and Monstervision series mailgirl Honey Gregory appeared on the cult movie website, Mondo Video. In the late nineties he spent two seasons as a commentator on Comedy Central's The Daily Show (under his given name John Bloom), with a recurring segment called "God stuff" beginning on the 2nd ever episode in 1996. He starred in Frank Henenlotter's documentary Herschell Gordon Lewis - Godfather of Gore.
Read more about this topic: Joe Bob Briggs
Famous quotes containing the word television:
“Television ... helps blur the distinction between framed and unframed reality. Whereas going to the movies necessarily entails leaving one’s ordinary surroundings, soap operas are in fact spatially inseparable from the rest of one’s life. In homes where television is on most of the time, they are also temporally integrated into one’s “real” life and, unlike the experience of going out in the evening to see a show, may not even interrupt its regular flow.”
—Eviatar Zerubavel, U.S. sociologist, educator. The Fine Line: Making Distinctions in Everyday Life, ch. 5, University of Chicago Press (1991)
“There is no question but that if Jesus Christ, or a great prophet from another religion, were to come back today, he would find it virtually impossible to convince anyone of his credentials ... despite the fact that the vast evangelical machine on American television is predicated on His imminent return among us sinners.”
—Peter Ustinov (b. 1921)
“They [parents] can help the children work out schedules for homework, play, and television that minimize the conflicts involved in what to do first. They can offer moral support and encouragement to persist, to try again, to struggle for understanding and mastery. And they can share a child’s pleasure in mastery and accomplishment. But they must not do the job for the children.”
—Dorothy H. Cohen (20th century)