Work
Tower's early music seems to reflect the influences of her mentors at Columbia University and is rooted in the serialist tradition, whose sparse texture complimented her interest in chamber music. As she developed as a composer Tower began to gravitate towards the work of Olivier Messiaen and George Crumb and broke away from the strict serialist model. Her work became more colorful and has often been described as impressionistic. She often composes with specific ensembles or soloists in mind, and aims to exploit the strengths of these performers in her composition.
Among her most notable work is Tower's five part Fanfare for the Uncommon Woman, each dedicated to 'women who are adventurous and take risks'. Inspired by Aaron Copland's Fanfare for the Common Man, the fanfares are scored for 3 trumpets, 4 horns, 3 trombones, tuba and percussion. The first fanfare was debuted in 1987 and conducted by Hans Vonk. For the second fanfare, which premiered in 1989, Tower added one percussion while the third, debuted in 1991 was scored for a double brass quintet, and the fourth was scored for a full orchestra. The fifth, and final, portion of Fanfare for the Uncommon Woman was commissioned for the Aspen Music Festival in 1993 and was written specifically for Joan Harris.
Read more about this topic: Joan Tower
Famous quotes containing the word work:
“One way or another we all work for our vice.”
—Ben Maddow (1909–1992)
“People run away from the name subsidy. It is a subsidy. I am not afraid to call it so. It is paid for the purpose of giving a merchant marine to the whole country so that the trade of the whole country will be benefitted thereby, and the men running the ships will of course make a reasonable profit.... Unless we have a merchant marine, our navy if called upon for offensive or defensive work is going to be most defective.”
—William Howard Taft (1857–1930)
“The work of the world is common as mud.
Botched, it smears the hands, crumbles to dust.
But the thing worth doing well done
has a shape that satisfies, clean and evident.
...
The pitcher cries for water to carry
and a person for work that is real.”
—Marge Piercy (b. 1936)